Mastering Trills with the Right Hand: Classical Guitar Technique
One of the most challenging techniques in classical guitar is the trino (trill), especially when executed with the right hand. In this tutorial, Pablo Menéndez presents an exercise designed to develop right-hand trills, making it easier to integrate them into demanding pieces such as Scarlatti’s Sonatas. The exercise improves speed, control and flexibility, allowing guitarists to practice without a metronome and adapt the tempo to their own needs.
Right-Hand Trills: Technique and Fluidity
The exercise focuses on the P–A–I–M finger combination: P (thumb), A (ring), I (index) and M (middle). These fingers form the foundation for smooth trills, particularly in repertoire that demands precision and agility, such as the sonatas by Domenico Scarlatti.
Pablo explains that the aim is to refine both speed and control, enabling guitarists to produce a clear and expressive trill.
The Five-Part Structure: Slow, Slow, Slow, Fast, Slow
The exercise consists of five parts:
- Slow: Begin slowly, ensuring evenness and accuracy.
- Slow: Repeat the sequence with sustained control.
- Slow: Reinforce muscle memory through another slow round.
- Fast: Increase the tempo while maintaining accuracy.
- Slow: Return to a slow pace to conclude with stability and precision.
Its simplicity is one of its strengths. Since no metronome is required, players can perform the exercise at whichever tempo feels natural, making it ideal as a warm-up or as a daily coordination drill.
Applying the Exercise in Scarlatti’s Sonata
Following the explanation, Pablo demonstrates how the technique supports passages from Scarlatti’s Sonata. The clarity and control gained from the P–A–I–M approach result in a more fluid and expressive performance of intricate lines.
Why the Method Is Effective
The goal is not only speed but also consistent accuracy. Alternating between slow and fast tempos strengthens control at all levels of intensity, a crucial skill for classical guitarists.
Conclusion
With its simple structure and adaptable tempo, Pablo Menéndez’s trill exercise is a valuable addition to any guitarist’s practice routine. By focusing on the P–A–I–M combination and practicing without metronome pressure, guitarists develop the speed, fluidity and reliability required for complex compositions. It supports both beginners and advanced players in building refined right-hand technique.
