Hermann Hauser II
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Sold outSold outLuthier: Hermann Hauser II
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Luthier: Hermann Hauser IILuthier: Rare GuitarsLuthier: Seltene Gitarren
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Sold outSold outLuthier: Hermann Hauser IILuthier: Rare GuitarsLuthier: Seltene Gitarren
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Sold outSold outLuthier: Hermann Hauser IILuthier: Rare GuitarsLuthier: Seltene Gitarren
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Sold outSold outLuthier: Hermann Hauser IILuthier: Rare GuitarsLuthier: Seltene Gitarren
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Sold outSold outLuthier: Hermann Hauser II
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Sold outSold outLuthier: Hermann Hauser II
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Sold outSold outLuthier: Hermann Hauser IILuthier: Seltene Gitarren
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Sold outSold outLuthier: Hermann Hauser IILuthier: Rare Guitars
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Sold outSold outLuthier: Hermann Hauser II
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Sold outSold outLuthier: Hermann Hauser II
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Hermann Hauser II - 1956 - No.577
Price on requestSaleLuthier: Hermann Hauser IIConstruction Type: Traditional
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Hermann Hauser II (1911-1988) – Elevating the Guitar Craft
Hermann Hauser II, a prominent figure in the world of guitar making, continued the legacy established by his father, Hermann Hauser I. His journey from apprentice to master is marked by innovation, collaborations with virtuosos, and an unwavering commitment to excellence.
Following in His Father’s Footsteps
After completing a four-year apprenticeship at the State Vocational School for Violin Making in Mittenwald, Hermann Hauser II joined his father’s workshop in 1930. During their years of collaboration, all instruments crafted by Hermann Hauser I were jointly signed by both father and son. In 1952, Hermann Hauser II assumed control of the family workshop, and from then until 1983, instruments bore his signature. The first guitar he signed bore the number 500, while his final guitar likely carried the number 1050.
Evolution of Craftsmanship
Hermann Hauser II’s profound impact on guitar craftsmanship is evident in his development of his father’s classical instruments. Through close relationships with guitar virtuosos, he refined specific designs. His clientele included virtuosos who had played his father’s guitars as well as contemporary artists. Building upon tradition and collaboration with his father, Hermann Hauser II produced refined advancements and novel creations. Like his father, he maintained personal and friendly relationships with guitarists. Renowned musicians such as Andres Segovia, Julian Bream, and Django Reinhardt valued both his hospitality and his instruments.
Defining Instruments
One of Hermann Hauser II’s most significant instruments emerged in 1957. Julian Bream played this guitar from 1959 to 1963, recording works by composers like Albeniz, Scarlatti, Berkley, Rodrigo, Frescobaldi, Ravel, and Rousell in 1960. The distinct timbre and resonance of this instrument can be experienced through recordings such as “The Art of Julian Bream.”
Legacy and Influence
Hermann Hauser II’s impact on the world of guitar making reverberates through the hands of virtuosos and collectors. His commitment to refining his father’s legacy, coupled with his own innovations, solidified his position as a master craftsman. Through collaborations with celebrated artists, he elevated the guitar to new heights of artistry and expression.
Conclusion
Hermann Hauser II’s journey was characterized by a profound dedication to the art of guitar making. His instruments stand as testament to his skill, craftsmanship, and ability to blend tradition with innovation. By continuing his father’s legacy while forging his own path, Hermann Hauser II left an enduring mark on the world of music, ensuring that his instruments would continue to inspire musicians and resonate with audiences for generations to come.