Hermann Hauser II

Hermann Hauser II (1911–1988) was one of the most influential German luthiers of the 20th century, whose work seamlessly continued and refined the legacy of his father, Hermann Hauser I. Trained at the State Vocational School for Violin Making in Mittenwald, he joined his father’s workshop in 1930, and together they produced instruments that carried both their signatures. In 1952, he took over the family workshop, marking the beginning of a new era in Hauser craftsmanship. Building upon the foundations of Torres-inspired design, Hauser II introduced subtle structural refinements that enhanced tonal projection, balance, and clarity. His close collaborations with guitar legends such as Andrés Segovia, Julian Bream, and Django Reinhardt deeply influenced his work, leading to instruments renowned for their singing treble, rich bass, and refined responsiveness. Among his most celebrated guitars is the 1957 model played by Julian Bream, whose recordings from that period immortalize the instrument’s resonant voice. Blending tradition with innovation, Hermann Hauser II elevated the German school of guitar making to international prominence, leaving an enduring mark on the art of the concert guitar.

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

You may also be interested Hermann Hauser II

Hermann Hauser II (1911–1988) – Elevating the Art of Guitar Making

Hermann Hauser II was one of the most distinguished luthiers of the 20th century, continuing the celebrated legacy of his father, Hermann Hauser I. His journey from apprentice to master was defined by innovation, collaboration with virtuosos, and an unwavering commitment to artistic and technical excellence.

Continuing the Family Legacy

After completing a four-year apprenticeship at the State Vocational School for Violin Making in Mittenwald, Hauser joined his father’s workshop in 1930. During their years of collaboration, every instrument bore the signatures of both father and son. In 1952, he took over the family workshop, and from then until 1983, the instruments carried only his name. The first guitar to bear his individual signature was numbered 500, while his final instrument likely carried the number 1050.

Refinement and Innovation

Hermann Hauser II advanced his father’s classical guitar designs through constant refinement and close collaboration with prominent guitarists. Many of his clients had previously played instruments made by his father, including leading artists of the time. Like his father, he cultivated personal and lasting friendships with musicians such as Andrés Segovia, Julian Bream, and Django Reinhardt. His open dialogue with these performers allowed him to perfect the tonal and structural qualities of his guitars, creating instruments known for their clarity, balance, and projection.

Iconic Instruments

One of his most notable instruments was built in 1957 and played by Julian Bream between 1959 and 1963. Bream used it to record music by Albéniz, Scarlatti, Berkley, Rodrigo, Frescobaldi, Ravel, and Roussel. The distinctive timbre and resonance of this instrument can be heard on the classic recording The Art of Julian Bream.

Influence and Legacy

Hermann Hauser II’s influence extends across generations of luthiers and performers. His dedication to refining his father’s legacy while incorporating his own technical innovations established him as a master craftsman in his own right. Through his collaborations with the great guitarists of his time, he helped elevate the classical guitar to new heights of musical sophistication and artistic expression.

Conclusion

The life and work of Hermann Hauser II exemplify the harmony of tradition and innovation. His instruments remain benchmarks of craftsmanship, sound quality, and aesthetic refinement. By carrying forward his father’s legacy while forging his own artistic path, Hauser II secured his place among the most influential luthiers in history, leaving behind instruments that continue to inspire musicians and captivate audiences around the world.

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