Hermann Hauser II

Hermann Hauser II (1911–1988) was one of the most influential German luthiers of the 20th century, whose work seamlessly continued and refined the legacy of his father, Hermann Hauser I. Trained at the State Vocational School for Violin Making in Mittenwald, he joined his father’s workshop in 1930, and together they produced instruments that carried both their signatures. In 1952, he took over the family workshop, marking the beginning of a new era in Hauser craftsmanship. Building upon the foundations of Torres-inspired design, Hauser II introduced subtle structural refinements that enhanced tonal projection, balance, and clarity. His close collaborations with guitar legends such as Andrés Segovia, Julian Bream, and Django Reinhardt deeply influenced his work, leading to instruments renowned for their singing treble, rich bass, and refined responsiveness. Among his most celebrated guitars is the 1957 model played by Julian Bream, whose recordings from that period immortalize the instrument’s resonant voice. Blending tradition with innovation, Hermann Hauser II elevated the German school of guitar making to international prominence, leaving an enduring mark on the art of the concert guitar.

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Hermann Hauser II (1911–1988) – Elevating the Art of Guitar Making

Hermann Hauser II was one of the most distinguished luthiers of the 20th century, continuing the celebrated legacy of his father, Hermann Hauser I. His journey from apprentice to master was defined by innovation, collaboration with virtuosos, and an unwavering commitment to artistic and technical excellence.

Continuing the Family Legacy

After completing a four-year apprenticeship at the State Vocational School for Violin Making in Mittenwald, Hauser joined his father’s workshop in 1930. During their years of collaboration, every instrument bore the signatures of both father and son. In 1952, he took over the family workshop, and from then until 1983, the instruments carried only his name. The first guitar to bear his individual signature was numbered 500, while his final instrument likely carried the number 1050.

Refinement and Innovation

Hermann Hauser II advanced his father’s classical guitar designs through constant refinement and close collaboration with prominent guitarists. Many of his clients had previously played instruments made by his father, including leading artists of the time. Like his father, he cultivated personal and lasting friendships with musicians such as Andrés Segovia, Julian Bream, and Django Reinhardt. His open dialogue with these performers allowed him to perfect the tonal and structural qualities of his guitars, creating instruments known for their clarity, balance, and projection.

Iconic Instruments

One of his most notable instruments was built in 1957 and played by Julian Bream between 1959 and 1963. Bream used it to record music by Albéniz, Scarlatti, Berkley, Rodrigo, Frescobaldi, Ravel, and Roussel. The distinctive timbre and resonance of this instrument can be heard on the classic recording The Art of Julian Bream.

Influence and Legacy

Hermann Hauser II’s influence extends across generations of luthiers and performers. His dedication to refining his father’s legacy while incorporating his own technical innovations established him as a master craftsman in his own right. Through his collaborations with the great guitarists of his time, he helped elevate the classical guitar to new heights of musical sophistication and artistic expression.

Conclusion

The life and work of Hermann Hauser II exemplify the harmony of tradition and innovation. His instruments remain benchmarks of craftsmanship, sound quality, and aesthetic refinement. By carrying forward his father’s legacy while forging his own artistic path, Hauser II secured his place among the most influential luthiers in history, leaving behind instruments that continue to inspire musicians and captivate audiences around the world.