Fritz Ober
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SoldSoldLuthier: Fritz Ober -
Fritz Ober - 2012 - La Leona
Price on requestLuthier: Fritz OberConstruction Type: Traditional -
Luthier: Fritz Ober
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SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
Luthier: Fritz Ober
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SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
Luthier: Fritz Ober
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SoldSoldLuthier: Fritz OberLuthier: Rare GuitarsLuthier: Seltene Gitarren -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz Ober -
SoldSoldLuthier: Fritz OberLuthier: Rare GuitarsLuthier: Seltene Gitarren
Frequently Asked Questions About Classical Guitars
How do I choose the right classical guitar for my level?
Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.
What is the difference between a master guitar and a studio guitar?
Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.
Can I try a classical guitar at home for 14 days?
Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.
Can I try a classical guitar before purchasing?
Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.
What payment methods and financing options do you offer?
We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.
How do I properly care for my classical guitar?
A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.
You may also be interested Fritz Ober
Fritz Ober (1955–2020)
Fritz Ober had a deep fascination for resonant guitars with a deep body, reminiscent of the styles created by Antonio de Torres and Hermann Hauser I. Instead of copying historical instruments, he pursued his own tonal vision, combining the finest qualities of Hauser with the low-tuned bass character found in some deeper Torres guitars. The plantilla of his instruments closely follows Hermann Hauser, complemented by subtle influences from Manuel Ramirez and Torres, whose designs often shared similarities.
One of his most notable works was a faithful interpretation of the famous Torres guitar “La Leona.” Like the original, it features a very low body-air resonance around D. This particular Ober guitar was played in concerts by Wulfin Lieske, who also recorded with the original “La Leona.”
He also created a Torres-inspired guitar with a tornavoz, now owned by a German collector. Although the plantilla was Ober’s own interpretation, the tonal character closely resembles that of Torres. In later years, he focused on crafting instruments capable of deep resonance without relying on a tornavoz.
Although deeply fascinated by low-resonance instruments, Ober also aimed to create guitars with the strength and fullness in the trebles required by modern performers – a goal he achieved with remarkable success. He sought to blend “old character” with the flexibility and treble power needed for contemporary repertoire.
About 15 years ago, Fritz Ober began building a limited number of guitars inspired by early masters. Today, it is clear that in his final years he came closer than ever to capturing the tonal qualities of those historical instruments.



















