Traditional

The traditional guitar reflects the foundations of European guitar making of the 19th and early 20th centuries. Its body and internal construction create a balance between the warmth of the bass and the clarity of the upper registers. Such instruments preserve the authentic sound of masters Antonio de Torres, Hauser, and García. The traditional guitar is valued for its natural projection and tonal transparency, allowing the music to sound both intimate and expressive.
Traditional
  • Luthier: Marcelo Barbero
    Luthier: Rare Guitars
    Construction Year: 1955
    Construction Type: Flamenco
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cypress
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F
    Weight (g): 1185
    Tuner: Fustero
    Condition: Excellent
  • Luthier: Dominique Field
    Construction Year: 1989
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1520
    Tuner: Sloane
    Condition: Very good
  • Luthier: Daniele Marrabello
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1395
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Adrien Savary-Freestone
    Construction Year: 2020
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1230
    Tuner: Perona
    Condition: Excellent
  • Luthier: Hermann Hauser II
    Luthier: Rare Guitars
    Construction Year: 1976
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G sharp / A
    Weight (g): 1530
    Tuner: Landstorfer
    Condition: Excellent
  • Luthier: Richard Jacob Weissgerber
    Construction Year: 1940
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1250
    Tuner: Antique
    Condition: Very good
  • Construction Year: 1970
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F sharp / G
    Weight (g): 1610
    Tuner: Fustero
    Condition: Excellent
  • Luthier: Steelstring guitars
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Pau Ferro
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F sharp / G
    Weight (g): 1920
    Tuner: Golden Age
    Condition: New
  • Luthier: Otto Rauch
    Construction Year: 2018
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Maple
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G / G sharp
    Weight (g): 1270
    Tuner: Der Jung
    Condition: Excellent
  • Luthier: Paolo Coriani
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1405
    Tuner: Sloane
    Condition: Excellent
  • Luthier: Erez Perelman
    Construction Year: 2026
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1625
    Tuner: Gotoh
    Condition: New
  • Luthier: Lorenzo Frignani
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1525
    Tuner: Alessi
    Condition: New
  • Luthier: Michel Brück
    Construction Year: 1993
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1490
    Tuner: Rubner
    Condition: Excellent
  • Luthier: Dario Garcia
    Construction Year: 2022
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cypress
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1240
    Tuner: Pegheads
    Condition: Excellent
  • Luthier: Luca Santambrogio
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Satinwood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1360
    Tuner: Alessi
    Condition: New
  • Luthier: Ennio Giovanetti
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1745
    Tuner: Alessi
    Condition: New
  • Luthier: Sebastiano Fracasso
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Birdseye Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1435
    Tuner: Alessi
    Condition: New
  • Luthier: Antonio Marchese
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Satinwood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1572
    Tuner: Alessi
    Condition: New
  • Luthier: Antonio Marchese
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F
    Weight (g): 1290
    Tuner: Alessi
    Condition: New
  • Luthier: Karel Dedain
    Construction Year: 2024
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Satinwood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1305
    Tuner: Alessi
    Condition: Very good

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

You may also be interested Traditional

A traditionally built classical guitar uses a single solid soundboard supported by fan bracing — the construction Antonio de Torres established in the 19th century and the foundation of the classic Spanish sound. Unlike modern double-top or lattice-braced instruments, which prioritise raw volume and projection, a traditional fan-braced guitar is prized for its tonal warmth, colour, and expressive nuance. This collection brings together instruments built in that time-honoured tradition.

What “Traditional Construction” Means

Traditional classical guitars are defined by three things: a solid one- or two-piece spruce or cedar top (not a laminated sandwich), a fan-bracing pattern beneath that top, and time-tested Spanish building methods such as the integral Spanish heel, where neck and body are joined as one. The seven-fan pattern that Torres standardised remains the reference point, though every luthier refines the number, placement, and taper of the struts to shape their own voice.

The Sound of a Fan-Braced Guitar

Fan bracing distributes string energy across the whole soundboard in a way that favours tonal complexity over sheer loudness. The result is a warm, rounded, deeply coloured voice with clear note separation, a singing sustain, and a wide palette of timbres between the bridge and the fingerboard. Players often describe the traditional sound as more “three-dimensional” and intimate — qualities that suit the core classical repertoire, recording, and chamber settings beautifully.

Because the soundboard responds closely to the player’s right hand, a traditional guitar rewards refined technique: small changes in attack, angle, and position translate directly into colour. This is why so many concert artists and serious students continue to prefer fan-braced instruments for their expressive depth.

Traditional vs. Double-Top and Lattice

There is no “better” construction — only different goals. Modern double-top and lattice guitars typically deliver more volume and projection, ideal for large halls and contemporary music. Traditional fan-braced guitars offer greater tonal colour, warmth, and that unmistakable classic character, with a touch sensitivity many players find more musical. The right choice depends on your repertoire, the rooms you play in, and the voice you’re looking for — and we’re happy to help you compare.

Masters of the Traditional School

The traditional lineage runs from Torres through the great 20th-century builders to today’s finest makers. At Siccas Guitars you’ll find instruments from masters working firmly in this tradition — including Hermann Hauser I, Daniel Friederich, and José Ramírez — alongside contemporary luthiers and high-quality studio guitars built the traditional way.

Find Your Traditional Classical Guitar at Siccas Guitars

Whether you’re drawn to the warm clarity of a spruce top or the immediate warmth of cedar, a traditionally built guitar offers a timeless, expressive voice. Explore this collection, compare it with the rest of our classical guitars, and reach out for personal advice. Every instrument is hand-selected, rigorously checked, and comes with a 14-day home trial, worldwide.

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