Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
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Luthier: Stefan Nitschke
Frequently Asked Questions About Classical Guitars
How do I choose the right classical guitar for my level?
Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.
What is the difference between a master guitar and a studio guitar?
Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.
Can I try a classical guitar at home for 14 days?
Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.
Can I try a classical guitar before purchasing?
Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.
What payment methods and financing options do you offer?
We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.
How do I properly care for my classical guitar?
A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.
You may also be interested Stefan Nitschke
Stefan Nitschke – Guitar Maker
When I was eleven years old, I began playing the guitar, and since then this instrument has never let me go. After a brief phase of classical guitar lessons, I wanted to play electric guitar and spent several years exploring blues, rock, and jazz. When I realized that I wanted more from and with the guitar, I returned to classical guitar and soon discovered my preference for Tárrega and other composers of the early 20th century.
Building the First Guitar
In 2002, I began my studies at the University of Music in Osnabrück. My teacher, Ulrich Müller, not only helped me improve my guitar playing but also encouraged me to build my first instrument. The goal was clear: I wanted to build a guitar. I constructed my first guitar on the living room carpet at home. I was thrilled – and my teacher, Ulrich Müller, was also impressed with my first results. I couldn’t wait to build the next instrument.
Learning from Gerhard Oldiges
Around that time, I met Gerhard Oldiges. He allowed me to occasionally watch him work and ask many questions. My thirst for knowledge grew, and I realized that I had found an experienced luthier in Gerhard. We met several times in his workshop, and through hours of intense conversations I learned the essential craftsmanship and artistic requirements needed for high-quality instruments.
Combining Studies and Craft
In 2004, I continued my studies at the Academy of Music in Darmstadt with Olaf van Gonnissen. When I sold my third guitar shortly after completing it, I realized that guitar making should become more than just a hobby for me. Highly motivated, I tried to work as a guitar maker alongside my studies. Despite the considerable investment of time and energy required for instrument making, I successfully completed my studies in 2007 and obtained my concert diploma two years later.
Philosophy and Passion
Over the years, I tested every guitar I could get my hands on and searched for inspiration. That’s how I discovered my passion for the sound of the old masters. My greatest motivation in guitar making is still the process itself: when the instrument takes shape from raw materials and I can shape the sound closer and closer to my personal ideal – even if I may never fully achieve that ideal sound.