Lucio Matarazzo

Lucio Matarazzo

Lucio Matarazzo

www.luciomatarazzo.it

www.dotguitar.it

Lucio Matarazzo studied with M. E. Caliendo at the Conservatory “D. Cimarosa” in Avellino, where he graduated summa cum laude. He continued his studies with Oscar Ghiglia, José Tomás and later Angelo Gilardino, completing his training at the Academy “L. Perosi” in Biella with the rare distinction of Special Mention.

For more than two decades he performed in a duo with guitarist Mario Fragnito. The duo won several international competitions, including Stresa, Palmi, Forte dei Marmi, Trapani and Berlin, and appeared at leading contemporary music festivals such as Pescara, Ferrara and Berlin.

For the publisher Berben, Matarazzo has revised and fingered works by Stephen Dodgson, Antonio Ruiz Pipò, Astor Piazzolla, Ferenc Farkas and Mario Castelnuovo-Tedesco for the 20th-century edition curated by Angelo Gilardino.

He has served as a jury member at many international competitions, including the “Segovia” Competition in Mallorca, the “Yamashita” Competition in Berlin, the “De Bonis” Competition in Cosenza and the “Pittaluga” Competition in Alessandria, contributing to the advancement of numerous young guitarists.

With Fragnito, Matarazzo recorded two LPs and five CDs for Lira Records, Ducale and Edi-Pan, premiering several works including Castelnuovo-Tedesco’s complete 24 Preludes and Fugues, for which he is preparing a new four-volume edition for Berben.

As a soloist, he is engaged in a large recording project dedicated to guitar studies of the 19th and 20th centuries. His CDs featuring the music of Carcassi, Legnani and Giuliani have received exceptional praise; the Giuliani recording was awarded Best CD of 1999 in Bisceglie.

In 2001 he performed selections from Pierre Boulez’s Le marteau sans maître at the San Carlo Theatre in Naples in a concert attended by the composer.

Matarazzo is also a founding member of the internationally acclaimed GuitArt Quartet. The ensemble has inspired significant new works, including Gilardino’s Concerto Italiano and Gerard Drozd’s Concerto Rapsodico. In 2001, Leo Brouwer composed and dedicated the Concierto Italico to the quartet, conducting the world premiere in Todi.

The quartet’s collaboration with Brouwer includes performances at major festivals in Italy, Spain, Poland, Cuba and Portugal, as well as the acclaimed DVD Diario Italico and several recordings. International media such as the magazine Classical Guitar have highlighted the ensemble’s originality and artistic impact.

GuitArt Quartet has also ventured into cross-genre projects, including Steve Reich’s Electric Counterpoint and collaborations with artists such as Steve Hackett and Frank Gambale. In 2007 the ensemble performed with singer Antonella Ruggiero in the tribute “Un uomo in frac,” broadcast worldwide by RaiUno and Rai International.

The quartet has toured extensively, including a successful U.S. tour in 2002 and a notable appearance at the Iserlohn Festival in 2003. Their debut CD From Spain to South America, released by Niccolò, received enthusiastic reviews for its expressive depth and ensemble cohesion.

In addition to performing, the quartet serves as artistic directors and editors of GuitArt, one of the leading international guitar magazines.

Lucio Matarazzo teaches at the Conservatory of Avellino, where he is Director of the Guitar Department and oversees first- and second-level academic programs. He performs on a “Leonardo” guitar (cedar and cypress) by G. Giussani with Exagon tuners and D’Addario EXP strings.

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  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Rare Guitars
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Pear
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1383
    Tuner: Alessi
    Condition: New
  • Luthier: Rafal Turkowiak
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Bolivian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: D sharp / E
    Weight (g): 1520
    Tuner: Der Jung
    Condition: New
  • Luthier: Chiara Frisio
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: Wax
    Body Finish: French polish
    Air Body Frequency: C
    Weight (g): 750
    Tuner: Pegs
    Condition: New
  • Luthier: Andrea Tacchi
    Luthier: Rare Guitars
    Construction Year: 1994
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: Nitrocellulose
    Air Body Frequency: G
    Weight (g): 1660
    Tuner: Fustero
    Condition: Excellent
  • Luthier: Daniel Stark
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F sharp / G
    Weight (g): 1640
    Tuner: Pagos
    Condition: New
  • Luthier: Fabio Zontini
    Construction Year: 2023
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Other-woods
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: C sharp / D
    Weight (g): 975
    Tuner: Pegheads
    Condition: Excellent
  • Construction Year: 2016
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Pau Ferro
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: G sharp / A
    Weight (g): 1820
    Condition: Very good
  • Luthier: Santos Hernandez
    Construction Year: 1932
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (Pre-CITES)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: C sharp / D
    Weight (g): 1350
    Tuner: Fustero
    Condition: Very good

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