Gaëlle Solal in Concert at Siccas Guitars
The concert video with Gaëlle Solal was recorded at Siccas Guitars and presents a wide-ranging program that reflects her musical curiosity, stylistic openness, and strong sense of rhythm. The performance brings together works from different musical traditions, united by their close relationship to dance, song, and expressive nuance on the classical guitar.
Gaëlle Solal as an Artist
Gaëlle Solal is a French classical guitarist whose career is shaped by diversity rather than specialization in a single repertoire tradition. She has performed in more than forty countries, appearing as a soloist, chamber musician, and concerto performer with orchestras. Her playing is marked by clarity, rhythmic precision, and a communicative presence that connects easily with audiences.
Solal is known for programs that move freely between established repertoire and lesser-known works. She often combines canonical composers with music from Latin America, Spain, and Brazil, and regularly performs her own arrangements. This openness is not a stylistic gesture, but a reflection of how she approaches the guitar as a flexible and expressive instrument.
The Concert Program
The program performed at Siccas Guitars highlights composers whose music is deeply rooted in rhythm, popular forms, and national traditions. Rather than following a strict historical order, the selection creates a flowing musical narrative shaped by contrast and continuity.
The concert opens with Lamentos do Morro by Aníbal Augusto Sardinha, known as Garoto, in an arrangement by Gaëlle Solal herself. The piece combines a reflective mood with subtle rhythmic movement and sets a contemplative tone. Solal’s arrangement emphasizes the singing quality of the melody while preserving the underlying pulse.
Capricho Catalán by Isaac Albéniz follows in an arrangement by Selina Copley. The work draws on Spanish dance character and melodic ornamentation, translated effectively to the guitar. The piece introduces a brighter, more animated atmosphere while maintaining expressive depth.
The program continues with Mazurka Choro from the Suite Populaire Brésilienne by Heitor Villa-Lobos. This piece blends European dance form with Brazilian rhythmic language and offers a sense of lightness and forward motion. Its clear structure allows phrasing and articulation to remain at the forefront.
A more introspective moment follows with Homenaje a Debussy by Manuel de Falla. Written as a tribute, the piece combines Spanish elements with impressionistic harmony and color. The work requires careful control of tone and timing, qualities that suit the intimate studio setting of the recording.
The concert concludes with Brejeiro by Ernesto Nazareth, arranged by Gaëlle Solal. The piece brings a lively close to the program, shaped by rhythmic clarity and a playful sense of character. Its popular roots and dance-like energy provide a natural ending to the concert.
Multiple Guitars and Tonal Variety
Throughout the concert, Gaëlle Solal performs on several different classical guitars, selecting instruments that support the character of each piece. The concert features modern guitars by contemporary makers as well as a historical instrument by Santos Hernández from 1932.
This variety allows listeners to experience how different guitars influence color, projection, and response. The contrast between modern construction and historical design highlights the flexibility of Solal’s playing and the role of the instrument in shaping musical expression.
Recorded at Siccas Guitars
The concert was recorded at Siccas Guitars, a place regularly visited by artists for concerts, recordings, and informal musical exchange. The studio environment provides a clear and direct sound, allowing details of articulation, resonance, and dynamic shaping to remain audible.
Rather than presenting a staged concert hall situation, the recording captures an intimate performance context that brings the listener closer to the interaction between musician and instrument.
A Concert That Reflects Musical Curiosity
This concert video with Gaëlle Solal reflects an approach to classical guitar that values openness, rhythmic vitality, and personal connection to the repertoire. The program shows how music from different cultural backgrounds can coexist naturally within a single concert.
Recorded at Siccas Guitars, the performance documents not only a specific program, but also an artistic attitude. It presents Gaëlle Solal as a musician who treats the guitar as a living, adaptable instrument and invites listeners to experience the richness of its repertoire through sound, rhythm, and character.