Hermann Hauser I

Hermann Hauser I

From 1875 his father Josef Hauser built zithers, guitars, and violins in his workshop and also worked as a music dealer and composer of zither music. Hermann Hauser I started to make zithers as a pupil of his father. Like his elder sister Marie, who became a lute and guitar teacher, Hermann Hauser I received his musical education from the Munich chamber virtuoso Josef Wimmer. From 1909 Hauser was active in the guitaristic movement as a member of the “Gitarristische Vereinigung München”. From 1922-1926 Hauser I (1st third guitar) formed the Munich guitar quartet with Fritz Buek (2nd third guitar), Mela Feuerlein (first guitar), and Hans Tempel (quint bass guitar).

As a guitar and zither maker, Hermann Hauser I first worked for five years in Munich at Braun & Hauser, the successor company to the business sold by his father. The economic success through the sale of his guitars and zithers enabled Hermann Hauser I to acquire the Max Amberger company in 1921, whose zithers he continued to build.

Hermann Hauser I had found his own style in guitar building by orienting himself on the designs and construction techniques of Antonio de Torres and developing these further by his own knowledge. Between 1920 and 1930 he developed patented innovations in the field of top construction as well as innovations in the field of neck-body connections.

From 1937 onwards, the Spanish guitarist Andrés Segovia changed from a Manuel Ramírez to a Hermann Hauser guitar, which was the reason for the international breakthrough of the “Hermann Hauser” brand. The British guitarist and lutenist Julian Bream played Hermann Hauser I guitars from 1936 and 1947, and around 1960 a Hauser guitar from Hermann Hauser II.

After Hermann Hauser’s wife Emma died in 1943, he took over the string spinning mill she founded in Munich until 1944. In 1946 Hauser, who was suffering from asthma, moved to Reisbach in Lower Bavaria, where he married his second wife, Karolina Felizitas.

After the death of Hermann Hauser I, his son Hermann Hauser II (1911-1988), and later his grandson Hermann Hauser III succeeded him. Since 2010 the daughter of Hermann Hauser III, Kathrin Hauser, has also worked as a guitar maker in the Reisbach workshop.

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Your next step is a real classic

  • Classical Guitar

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Elvis Pajares
    Construction Year: 2025
    Construction Type: Double Top
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1415
    Tuner: Kris Barnett
    Condition: New
  • Luthier: José Luis Romanillos
    Construction Year: 1979
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1410
    Tuner: Klaus Scheller
    Condition: Excellent
  • Luthier: Elvis Pajares
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1365
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Giovanni Tacchi
    Construction Year: 2023
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1300
    Tuner: Alessi
    Condition: Mint
  • Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1605
    Tuner: Perona
    Condition: New
  • Luthier: Otto Vowinkel
    Construction Year: 2019
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1590
    Tuner: Sloane
    Condition: Excellent
  • Luthier: Hermann Hauser II
    Construction Year: 1956
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1440
    Tuner: Landstorfer
    Condition: Excellent
  • Luthier: Fritz Ober
    Construction Year: 2019
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: C sharp / D
    Weight (g): 1345
    Tuner: Klaus Scheller
    Condition: Excellent

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