Felipe Conde

Felipe Conde carries forward one of Spain’s most prestigious guitar-making legacies, rooted in the work of Domingo Esteso and continued through generations of the Conde family. Based in Madrid, he builds classical and flamenco guitars that combine traditional Spanish craftsmanship with refined modern precision. His instruments are admired for their warmth, clarity, and exceptional projection, offering both power and nuance. Crafted entirely by hand, each guitar embodies the signature Madrid sound that has defined his family’s work for over a century. Today, Felipe continues this heritage alongside his children, ensuring the Conde tradition remains a benchmark of excellence in Spanish lutherie.

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Felipe Conde – A Dynasty of Spanish Guitar Making

1882–1937 – First Period: Domingo Esteso

The story of the Conde family in Spanish guitar making begins with Domingo Esteso, one of the most influential luthiers in Spain’s history. He trained in Manuel Ramírez’s workshop, where he worked alongside Santos Hernández and Enrique García, who would all go on to become leading figures in Spanish luthiery.

Esteso later founded his own workshop at 7 Gavina Street in Madrid, together with Nicolasa Salamanca, who handled the finishing and lacquering of the guitars. This period marked his most productive years, during which he created instruments of exceptional beauty, craftsmanship, and tonal excellence. Many of these guitars were exported to Argentina through Romero y Fernández in Buenos Aires due to Spain’s economic difficulties at the time.

In 1926, his nephew Faustino Conde joined the workshop, followed by Mariano Conde in 1929, laying the foundation for the next generation. Both learned Esteso’s methods and philosophy until his passing in 1937 during the Spanish Civil War. Production continued modestly until 1939 despite the challenging circumstances.

1937–1959 – Second Period: “Viuda y Sobrinos de Esteso”

After Esteso’s death, the workshop continued under the name “Viuda y Sobrinos de Esteso” out of respect for his widow, Nicolasa Salamanca. Later, Julio Conde, the youngest brother, joined his siblings Faustino and Mariano. Together, they carried on Esteso’s tradition, introducing minor design changes while maintaining the distinctive character of his guitars.

By 1953, they had designed a new headstock for their top models—the now-iconic “half-moon head”—which became synonymous with the Conde style. This period was defined by the warm, expressive sound of their guitars, a result of their dedication to tonal refinement. Prominent players included Regino Sainz de la Maza, Alirio Díaz, Manolo de Huelva, and others.

1959–1989 – Third Period: “Hermanos Conde Sobrinos de Esteso”

Following Nicolasa Salamanca’s passing, the brothers rebranded as “Hermanos Conde – Sobrinos de Domingo Esteso.” This became the most prolific and internationally renowned era of the Conde dynasty. Their guitars were played by icons such as Niño Ricardo, Sabicas, Paco de Lucía, Tomatito, Al Di Meola, John McLaughlin, and Bob Dylan.

In the early 1960s, the half-moon headstock became the company’s signature design, and the introduction of rosewood (“palo santo”) flamenco guitars revolutionized the genre. Popularized by Paco de Lucía, the “Negra” model became the standard concert flamenco guitar, complementing the traditional “Blanca” made of cypress.

In 1971, Felipe Conde joined his father Mariano and uncle Faustino at the workshop on Gravina Street. From his father, he inherited two essential principles: respect for tradition and constant dialogue with musicians—values that would shape his entire career.

1980–2010 – Fourth Period: “Conde Hermanos Sucesores Sobrinos de Esteso”

In 1980, Mariano Conde established a new workshop at 2 Felipe V Street, beginning a new chapter in the family’s story. Following the death of Faustino in 1988, the Felipe V workshop became independent, led by Felipe Conde and his brother. They modernized the building process while maintaining the handmade essence and traditional sound that defined the Conde identity.

During this time, they produced the acclaimed Felipe V models, known for their exceptional woods, fine inlays, and elegant finishes. These guitars were favored by both flamenco and contemporary musicians, including Paco de Lucía, Lenny Kravitz, David Byrne, and Sergio Vallín. Felipe also promoted Spanish guitar craftsmanship internationally, participating in exhibitions in Frankfurt, NAMM, and Japan.

2010–2019 – Fifth Period: “Felipe Conde Guitarrero”

In 2010, Felipe Conde entered a new era alongside his children María and Felipe Jr., carrying forward more than a century of family tradition. The workshop at 4 Arrieta Street, opposite the historic Felipe V location in Madrid, became a welcoming space for musicians seeking personal and direct contact with the builder.

Today, Felipe Conde stands as one of Spain’s most respected luthiers. His guitars reflect the essence of the Madrid school—a fusion of tradition, innovation, and musical excellence. With his children continuing the legacy, the Conde famil