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Antonio Marchese - 2026 No. 114 "Garcia Model"

Details

Luthier:  Antonio Marchese
Construction Year: 2026
Top: Spruce
Back and Sides: Flamed Maple
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: F / F #
Scale (mm): 650
Weight (g): 1463
Tuner: Alessi
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II “Siccas Edition”

Overview

Antonio Marchese’s 2026 classical guitar is inspired by Enrique Garcia and early Simplicio models, featuring a light Val di Fiemme spruce top and flamed maple back and sides. Its asymmetrical 8 fan bracing supports a quick, responsive voice with resonant basses and clear, singing trebles. The tone is balanced and fluid, combining transparency, warmth, and controlled brilliance with high sensitivity to articulation.
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Video overview

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This Guitar Is A Masterpiece | Botelli, Marques, Marchese, Madimenos, Simplicio | WGM#201
Antonio Marchese 2026 No. 114 "Garcia Model"

More details about the guitar

About the luthier

Antonio Marchese was born in 1992 in Aosta, Italy. He trained at the Civica Scuola di Liuteria in Milan, where he specialised in both instrument making and restoration. He later refined his work under Enrico Bottelli, with a particular focus on guitars of the Spanish tradition.

In 2019, he established his workshop in Montafia, in the Piedmont region, where he builds classical guitars and produces historical replicas alongside restoration work on plucked instruments. His approach is grounded in close study of historical models and traditional craftsmanship, including the use of hand assembled wooden mosaics and shellac varnishing. Since 2020, he has also taught varnishing for plucked instruments at the Civica Scuola di Liuteria in Milan.

About the guitar

This guitar from 2026 is the result of a detailed study of instruments by Enrique Garcia and an early guitar by Francisco Simplicio. Rather than following a single model, Antonio Marchese develops a construction approach and tonal concept derived from these sources, aiming to capture their underlying principles in a coherent, personal interpretation.

The spruce soundboard from Val di Fiemme is worked to a very light build, resulting in a structure of high sensitivity and immediate response. The bracing follows an eight fan layout with closing bars and no bridge plate, conceived asymmetrically. On the treble side, the braces are shaped to favour clarity and brilliance, while on the bass side they support depth and resonance. This differentiated approach allows the instrument to maintain separation and balance across the register while preserving a unified tonal character.

The flamed maple back and sides contribute to a clear and transparent projection, supporting a sound that is both quick in attack and refined in decay. The basses are resonant yet controlled, while the trebles emerge with a pure and singing quality. The overall voice is fluid and well balanced, with a measured degree of brightness that remains integrated within a warm and stable tonal framework. The low air resonance further enhances the instrument’s responsiveness and openness, particularly in the lower register.

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    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
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    Air Body Frequency: G
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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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