José Luis Romanillos - 1984 La Violeta

Product value icon
Returns guarantee:
Product value icon
Trust:
Product value icon
Buy now pay later:
Product value icon
Shipping:

Details

Construction Year: 1984
Construction Type:  Traditional
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: G #
Scale (mm): 648
Nut (mm): 52.0
Weight (g): 1470
Tuner: Fustero
Strings: Knobloch - EDC 34.0
Condition: Very good

Overview

This 1984 José Luis Romanillos “La Violeta” is a traditionally built spruce and Indian rosewood guitar with the intimate, elastic, and deeply balanced voice associated with the maker. Its sound is marked by exceptional sustain, evenness across the register, and a wide dynamic range that rewards controlled playing. Visually, it bears Romanillos’ distinctive decorative refinement and stands as a characteristic example of his mature work.

Shipping important note

Delivery time is 3–5 business days.
Important: Additional costs such as import taxes and custom duties may occur when importing goods from the EU into your country.
Delivery times are typically reliable and most instruments arrive within the estimated timeframe.
Should any unexpected delay occur, our team will keep you informed and provide support at every step. For all shipping details and exceptions, please see our Shipping Policy.

Details about GPSR

Classical Guitars
Manufacturer Information:
José Luis Romanillos
Responsible Person:
Siccas Guitars GmbH, Roonstr. 31, 76137 Karlsruhe, Germany, www.siccasguitars.com, info@siccasguitars.com
Note: For antique guitars, the GPSR does not apply.
View full details

Video overview

José Luis Romanillos 1984 "La Violeta"
This Guitar Will Melt Your Heart | Romanillos, Carbone, Dedain, Aldrovandi, Fanton d'Andon | WGM#202

More details about the guitar

About the luthier

José Luis Romanillos Vega was born in Madrid in 1932 and began his apprenticeship in cabinet making at the age of thirteen. In 1956 he moved to England, where he first worked in hospitals in Epsom and London. It was there, in London, that he built his first Spanish guitar five years later. Encouraged by Julian Bream, Romanillos established his workshop in Semley, Wiltshire, in 1970 and from there developed a body of work that would become central to the history of the modern classical guitar.

Romanillos was not only one of the most respected makers of his generation, but also an important researcher, lecturer, and teacher. He gave courses in Spanish guitar making in many countries and spoke widely on the history and development of the vihuela de mano and the Spanish guitar. After moving to Guijosa near Sigüenza in 1995, he continued his scholarly work in close collaboration with his wife Marian. Together they published the reference work The Vihuela de Mano and the Spanish Guitar in 2002. His instruments are admired for their clarity, balance, and their highly personal understanding of the Spanish guitar tradition.

About the guitar

Built in 1984, this guitar named “La Violeta” is a traditional Romanillos instrument with spruce top and Indian rosewood back and sides, finished in French polish. It shows the refined decorative vocabulary so closely associated with the maker, from the rosette to the subtle details at bridge, headstock, and back, all executed with exceptional control and a strong sense of proportion.

According to the playing impressions provided, the guitar has a highly individual voice shaped by sustain, tonal elasticity, and a remarkable evenness across the register. The sound is intimate rather than demonstrative, with a strong sense of beauty in the tone and a balanced intensity from note to note. It is not a guitar that gives away its full sound immediately. Instead, it invites the player to work actively with touch and control, rewarding that effort with a wide dynamic range and a consistently high quality of tone from the softest attack to a more powerful projection.

Particularly striking is the way the instrument combines restraint with richness. The response does not rely on sheer immediacy or overt loudness, but on shape, depth, and the ability to sustain a singing line. This gives the guitar a sincere and cultivated character, with a voice separation that remains clear and a tonal balance that feels deeply considered. In this sense, “La Violeta” represents Romanillos at his most characteristic, combining precision of craft with a sound world of intimacy, colour, and long musical breath.

Condition

The guitar is in very good condition. There are eight cracks on the top, all professionally repaired and stable. The repairs are well executed and the instrument presents as a carefully maintained original example.

Related guitars

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

Join the Siccas Guitars Inner Circle

Receive early updates on newly arrived guitars, rare instruments, and selected special offers.