Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Front view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Full view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Full view thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Back and sides thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Neck and tuner thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Neck and tuner thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Neck and tuner thumbnail
Stephen Hill - 2025 - Doubletop Lattice No.294 - Certificate thumbnail
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Stephen Hill - 2025 - Doubletop Lattice No.294

Stephen Hill - 2025 - Doubletop Lattice No.294

Details

Luthier:  Stephen Hill
Construction Year: 2025
Top: Spruce
Back and Sides: Madagascar rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: G #
Scale (mm): 650
Weight (g): 1600
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II “Siccas Edition”

Overview

The Stephen Hill No. 294 from 2025 represents the luthier’s latest step into modern double-top design while retaining a distinctly Spanish voice. Built with a spruce and cedar double top over a Nomex core, supported by a 5×5 wooden lattice, it combines lightness with structural strength and tonal refinement. Madagascar rosewood back and sides add depth and resonance, while the French polish finish highlights its elegance. The guitar projects with clarity and power, shaped by a characteristic midrange timbre that carries a subtle nasal quality and rich color palette. Vibrant trebles, long sustain, and excellent note separation make it highly responsive, and its easy playability supports expressive nuance across the full dynamic spectrum. A refined instrument that unites modern projection with traditional warmth and character.
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Video overview

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Stephen Hill 2025 Doubletop Lattice No. 294 Classical Guitar Review
A Legendary Daniel Friederich Guitar | New Tamara Stahl & 3 Surprises! (WGM #174)

More details about the guitar

About the luthier

Stephen Hill is a British guitar maker based in La Herradura, near Granada in southern Spain. He began his musical life as a flamenco guitarist and later trained as a luthier under the influence of masters such as Antonio Marín Montero and Manuel Reyes. Over the years, Hill has become one of the most respected contemporary builders of Spanish-style guitars. He combines deep traditional knowledge with an openness to new methods and ideas, and has mentored a number of successful luthiers through his teaching. After decades dedicated to traditional construction, Hill has recently expanded into the world of modern concert guitars, particularly double-top instruments. His double-top models are distinguished by their elegant tonal character, exceptional responsiveness, and a strong underlying Spanish identity. This development demonstrates his ability to balance innovation with a deep respect for traditional guitar-making aesthetics.

About the guitar

This guitar, No. 294 from 2025, is Stephen Hill’s latest double-top concert model. It features a spruce outer top from Switzerland, seasoned for over 25 years and stored in the Sierra Nevada’s Alpujarras region, laminated over a cedar inner layer with a Nomex core. The bracing is a 5×5 wood lattice system, offering both lightness and structural integrity while preserving tonal subtlety. The back and sides are made from beautifully figured Madagascar rosewood, and the entire guitar is finished with French polish. Tonally, the instrument blends a modern response with a refined Spanish voice. It projects with clarity and power, featuring a slightly nasal core in the midrange that creates a distinctive tonal signature and invites complex color shaping. The trebles are vibrant and responsive, with impressive sustain and excellent separation. Players will notice the guitar’s remarkable playability and immediacy, qualities that allow for nuanced dynamics and articulation, especially in fast passages. An elegant, warm, and expressive instrument that offers the best of both worlds: modern power and traditional beauty.

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  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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