Kathrin Hauser

Kathrin Hauser

http://www.hauserguitars.de

Kathrin Hauser

Before dedicating herself fully to professional guitar making, Kathrin Hauser first trained in a commercial profession. After gaining several years of experience in that field, she began an apprenticeship in the family business, the Hermann Hauser workshop in Reisbach, Lower Bavaria. She passed the examination in the field of instrument making in 2007.

With her first self-built guitar she was invited to a special exhibition in Tokyo. The renowned Japanese magazine Gendai Guitar published a detailed article about her on this occasion. Since 2008, guitars made by Kathrin Hauser have been ordered by musicians around the world.

In addition to creating her own independently developed models, traditional Hermann Hauser guitars are also built in collaboration with her father, Hermann Hauser III. Together they also work on further developments of the Hauser guitar.

The Fifth Generation

Kathrin Hauser (born 1982) represents the fifth generation of the Hauser guitar-making dynasty of Reisbach, Bavaria. She completed her lutherie apprenticeship in 2007, studying alongside her father Hermann Hauser III, and has since built instruments under her own name within the family workshop. The Hauser dynasty was founded in the nineteenth century and achieved legendary status when Hermann Hauser I built the 1937 guitar that Andrés Segovia described as "the greatest guitar of our epoch" — now in the Metropolitan Museum of Art in New York. Kathrin continues this legacy with the same commitment to limited annual production and personal attention that has defined the workshop for over a century.

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    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Construction Year: 1964
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1490
    Tuner: Fustero
    Condition: Very good
  • Luthier: Friederike Linscheid
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1640
    Tuner: Klaus Scheller
    Condition: New
  • Luthier: Martin Bretscher
    Construction Year: 2026
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: Uv-cured finish
    Body Finish: Uv-cured finish
    Air Body Frequency: A
    Weight (g): 1860
    Tuner: Rubner
    Condition: New
  • Luthier: Simon Marty
    Construction Year: 2026
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G / G sharp
    Weight (g): 2185
    Tuner: Gilbert
    Condition: New
  • Luthier: Davide Scacchi
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Birdseye Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1240
    Tuner: Perona
    Condition: New
  • Manufacturer: Siccas Luthiers
    Manufacturer: Siccas Luthiers
    Construction Type: Traditional
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1500
    Tuner: Der Jung
    Condition: New

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