Kathrin Hauser

Kathrin Hauser

http://www.hauserguitars.de

Kathrin Hauser

Before dedicating herself fully to professional guitar making, Kathrin Hauser first trained in a commercial profession. After gaining several years of experience in that field, she began an apprenticeship in the family business, the Hermann Hauser workshop in Reisbach, Lower Bavaria. She passed the examination in the field of instrument making in 2007.

With her first self-built guitar she was invited to a special exhibition in Tokyo. The renowned Japanese magazine Gendai Guitar published a detailed article about her on this occasion. Since 2008, guitars made by Kathrin Hauser have been ordered by musicians around the world.

In addition to creating her own independently developed models, traditional Hermann Hauser guitars are also built in collaboration with her father, Hermann Hauser III. Together they also work on further developments of the Hauser guitar.

The Fifth Generation

Kathrin Hauser (born 1982) represents the fifth generation of the Hauser guitar-making dynasty of Reisbach, Bavaria. She completed her lutherie apprenticeship in 2007, studying alongside her father Hermann Hauser III, and has since built instruments under her own name within the family workshop. The Hauser dynasty was founded in the nineteenth century and achieved legendary status when Hermann Hauser I built the 1937 guitar that Andrés Segovia described as "the greatest guitar of our epoch" — now in the Metropolitan Museum of Art in New York. Kathrin continues this legacy with the same commitment to limited annual production and personal attention that has defined the workshop for over a century.

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    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Zbigniew Gnatek
    Construction Year: 2023
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Polyurethane
    Air Body Frequency: G
    Weight (g): 1760
    Tuner: Pagos
    Condition: Excellent
  • Construction Year: 2025
    Construction Type: Double-Top Guitars
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F
    Weight (g): 1500
    Tuner: Kris Barnett
    Condition: Mint
  • Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1550
    Tuner: Fustero
    Condition: New
  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G
    Weight (g): 1710
    Tuner: Rubner
    Condition: New
  • Luthier: José Salinas
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F sharp / G
    Weight (g): 1550
    Tuner: Aparicio
    Condition: New
  • Construction Year: 2015
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Polyurethane
    Air Body Frequency: G / G sharp
    Weight (g): 2460
    Tuner: Alessi
    Condition: Excellent

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