Cristina and José Enrique Ramírez

Cristina and José Enrique Ramírez

A long time ago a guitarist asked Cristina: “How did your father get you both to continue the tradition? My son doesn’t want to continue, he prefers to take another path”. The answer was none other than “having had freedom of choice and support in decisions about our future”. José Ramírez IV never pressured his four sons to continue with their trade; on the contrary, he encouraged them to train and learn other disciplines. He wanted them to choose from knowledge, from the heart and from freedom; that is why, although only two of them are continuing in his footsteps, his sons Cristina, Almudena, José Enrique and Javier deeply admire and respect the work their father did. Only Javier started out in the workshop with his twin brother José Enrique, and then decided on another option to continue the family tradition of his mother: the work of a pharmacist. Almudena, a psychologist by profession, has yet to finish her first guitar.

José Enrique and Cristina felt the vocational call of this tradition from a very young age. The love for music and the guitar that was evident in the family gatherings was a breeding ground that culminated in their choice of life. José Enrique has combined his apprenticeship as a guitarist with his law degree; and Cristina is a graphic designer, journalist, sound technician and is studying Spanish guitar at the conservatory with Ana Jenaro. She is also currently learning guitar building techniques from her brother.

They both run the workshop in two directions: José Enrique is the workshop manager and is in charge of conducting new research, while Cristina coordinates the commercial area and project development. The new models are the result of the teamwork of Amalia, Cristina and José Enrique.

They are currently focused on two areas: on the one hand they continue Amalia Ramírez’s research on the “Auditorium Model”, an instrument with a greater projection without loss of the sound quality that characterizes the Ramírez guitars; while on the other hand they observe their past reflected in the instruments of their great-great-grandfather José Ramírez I and his great-great-uncle Manuel Ramírez, recovering old construction techniques, as well as natural glues and varnishes.

The aim of Guitarras Ramírez is the evolution and development of the guitar by listening to its guitarists. Listening is the fundamental element of this trade, thanks to it, Guitarras Ramírez has reached its more than 137 years of history with the firm intention of continuing investigating and creating original models for the coming times and new musicians.

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Your next step is a real classic

  • Classical Guitar

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Elvis Pajares
    Construction Year: 2025
    Construction Type: Double Top
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1415
    Tuner: Kris Barnett
    Condition: New
  • Luthier: José Luis Romanillos
    Construction Year: 1979
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1410
    Tuner: Klaus Scheller
    Condition: Excellent
  • Luthier: Elvis Pajares
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1365
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Giovanni Tacchi
    Construction Year: 2023
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1300
    Tuner: Alessi
    Condition: Mint
  • Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1605
    Tuner: Perona
    Condition: New
  • Luthier: Otto Vowinkel
    Construction Year: 2019
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G / G sharp
    Weight (g): 1590
    Tuner: Sloane
    Condition: Excellent
  • Luthier: Hermann Hauser II
    Construction Year: 1956
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1440
    Tuner: Landstorfer
    Condition: Excellent
  • Luthier: Fritz Ober
    Construction Year: 2019
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: C sharp / D
    Weight (g): 1345
    Tuner: Klaus Scheller
    Condition: Excellent

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