Lorenzo Frignani

Lorenzo Frignani, based in Modena, is one of Italy’s most respected makers and restorers of plucked and bowed instruments. Active since the late 1970s and working professionally since 1985, he has won several national and international competitions (including Bagnacavallo and Baveno) and has served on juries for various lutherie contests. Frignani collaborates as a consultant with museums and music foundations and serves as Artistic Advisor to the Municipality of Pieve di Cento. As Vice President of the Associazione Liuteria Italiana (A.L.I.), he plays a significant role in shaping modern Italian instrument making. In addition to building and restoring instruments, he is an author and publisher; in 2007 he founded LF Edizioni, dedicated to translating and producing specialized literature on plucked and bowed instruments.

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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Lorenzo Frignani – Guitar Maker from Modena

Lorenzo Frignani has been interested in the construction of plucked and bowed instruments since the late 1970s. He began his professional career in this field in 1985 and has since received numerous national and international awards. He is the winner of various plucked and bowed instrument making competitions (Bagnacavallo and Baveno) and has also served as a jury member in different competitions (Baveno and Pisogne). As a consultant, he collaborates with museum authorities and music foundations. Lorenzo Frignani is the Artistic Advisor of the Municipality of Pievi Cento (Bologna).

Furthermore, he is Vice President of the ‘Associazioni Liuteria Italiana’ (A.L.I.) and was a member of the French ‘Association des Luthiers et Archetiers pour le Développement de la Facture Instrumentale’ (A.L.A.D.F.I.) for many years. In addition to building new instruments, he is dedicated to the restoration of plucked and bowed instruments. He is the author of various publications and catalogues on classical and antique plucked and bowed instruments, which he also collects. In 2007, he founded his own publishing house (LF Edizioni) with the aim of translating foreign-language specialist literature on plucked and bowed instrument making into Italian.

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