Albert & Müller - 1999 CL1
Albert & Müller - 1999 CL1
Details
Details
Overview
Overview
Shipping important note
Shipping important note
Important: Additional costs such as import taxes and custom duties may occur when importing goods from the EU into your country.
Delivery times are typically reliable and most instruments arrive within the estimated timeframe.
Should any unexpected delay occur, our team will keep you informed and provide support at every step. For all shipping details and exceptions, please see our Shipping Policy.
Details about GPSR
Details about GPSR
Video overview
More details about the guitar
About the luthier
Albert & Müller was the collaborative workshop of German luthiers Franz‑Ulrich Albert and Antonius Müller, active from 1984 until approximately 2013. Their instruments were built in small quantities in Germany and reflect a deep commitment to traditional craftsmanship and acoustic performance. Antonius Müller, born in 1960, began his training in 1976 and qualified as a master luthier in 1983. He went on to co-found the Albert & Müller workshop in 1984, and later, in 2013, established his own atelier in Aarbergen, where he continues to work alongside his son Felix Müller. Ulrich Albert, also a master luthier, was Müller’s long-time partner in the venture. Their work is known for refined sound profiles, intelligent design choices, and consistent artisanal quality.
About the guitar
This 1999 Albert & Müller CL1 model presents a beautifully voiced example of the duo’s traditional concert guitars. Built with a cedar soundboard and Indian rosewood back and sides, it offers a naturally warm and organic timbre, enhanced by a carefully voiced top and articulate body resonance in the G sharp to A range. The instrument is finely balanced, with an intimate treble presence that remains bright yet never brittle. Bass response is round and controlled, supporting a rich midrange that responds well across dynamic ranges. A notable feature of this guitar is its subtly twisted neck profile, a deliberate construction element that enhances left-hand ergonomics and facilitates relaxed finger positioning. The guitar is also fitted with a discreet B-Band preamp system, making it suitable for both stage use and classical amplification contexts.
Condition
This instrument is in excellent condition with only superficial playing marks. There are no cracks or structural issues, and the finish remains clean and stable throughout.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.