Paolo Coriani - 2025 No. 274

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Price: 12.490 €
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Details

Luthier:  Paolo Coriani
Construction Year: 2025
Construction Type:  Traditional
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: F / F #
Scale (mm): 650
Nut (mm): 50.5
Weight (g): 1405
Tuner: Sloane
Strings: Knobloch - EDC 34.0
Condition: Excellent

Overview

Paolo Coriani’s 2025 No. 274 is a traditional classical guitar with spruce top, Indian rosewood back and sides, French polish finish and Ramírez inspired bracing. Its voice is bright yet smooth, extremely well balanced and sustained, with a relaxed depth supported by its low air body frequency.

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Delivery time is 3–5 business days.
Important: Additional costs such as import taxes and custom duties may occur when importing goods from the EU into your country.
Delivery times are typically reliable and most instruments arrive within the estimated timeframe.
Should any unexpected delay occur, our team will keep you informed and provide support at every step. For all shipping details and exceptions, please see our Shipping Policy.

Details about GPSR

Classical Guitars
Manufacturer Information:
Paolo Coriani, Via Barchetta 94/3-98, 41123, Modena, Italy, https://www.corianipaolo.it/paolo-coriani-luthier/classical-guitars.html, liutaio@corianipaolo.it
Responsible Person:
Paolo Coriani, Via Barchetta 94/3-98, 41123, Modena, Italy, https://www.corianipaolo.it/paolo-coriani-luthier/classical-guitars.html, liutaio@corianipaolo.it
Note: For antique guitars, the GPSR does not apply.
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Video overview

This Luthier Influenced Nearly Everyone After Him | Hauser II, Weissberger, Coriani, Rauch, WGM#110
Paolo Coriani 2025 No. 274

More details about the guitar

About the luthier

Paolo Coriani is an Italian master luthier based in Modena, with over four decades of experience in crafting high quality classical guitars. He opened his workshop in 1984 after nine years of apprenticeship at Liuteria Masetti, a family of guitar makers in Modena dating back to 1900. In the early years, he built guitars inspired by the popular models of José Ramírez III and Masaru Kohno. A turning point in his development came with the discovery of the work of Richard Schneider and Michael Kasha, which provided him with his first scientific insights into guitar acoustics and vibrational behaviour.

A major influence on his philosophy was encountering the guitars and writings of Daniel Friederich, who had developed a less empirical construction method by collecting data such as weight and wood flexibility during the building process. Another significant moment was hearing and studying an 1867 Torres guitar once owned by Christian Aubin, an instrument that also inspired Robert Bouchet and Friederich. This contact with historic Spanish instruments deepened Coriani’s appreciation for traditional lutherie.

In the early 1990s, Coriani expanded his acoustic knowledge further through the work of bow maker Giovanni Lucchi and his velocity tester for tonewood selection. In 1993, he participated in a guitar making course in Córdoba led by José Luis Romanillos, centred on Segovia’s 1912 Manuel Ramírez guitar. This experience cemented Coriani’s admiration for Ramírez’s legacy and inspired a long period of research into early twentieth century Spanish guitar makers, including Enrique García, Santos Hernández and Domingo Esteso.

Since then, Coriani has restored numerous historic guitars and studied their vibrational behaviour to inform his own work. Today, his instruments are inspired by the great masters, Ramírez, Torres, Hauser, García and Simplicio, but are not direct copies. Instead, they reflect the character and sound of the originals while being adapted to meet modern performance demands. Rather than simply chasing volume or power, Coriani aims to craft guitars with warm, clear and expressive voices that support the individuality of each player.

His guitars are built in a humidity controlled workshop to ensure long term stability. All woods are naturally seasoned, with soundboards aged for a minimum of 30 years and other components such as ebony, rosewood and mahogany up to 50 or 60 years. Each instrument is finished with coloured shellac using traditional French polishing methods and features individual rosettes, bindings and purflings for a distinctive visual identity.

About the guitar

This Paolo Coriani No. 274 from 2025 is a traditional classical guitar with a spruce top and Indian rosewood back and sides, finished entirely in French polish. Its voice is remarkably balanced, with a brilliant tonal surface shaped by a smooth envelope, allowing brightness to remain present without becoming sharp. The response is immediate and generous, producing satisfying colour with little effort while retaining the capacity to open into a more powerful and resonant voice when pushed.

The low air body frequency of F to F sharp supports a sense of depth and relaxed resonance, giving the guitar a darker foundation beneath its clarity and shine. The Ramírez inspired bracing lends the instrument a familiar Spanish warmth, long sustain and a supple relationship between touch and sound. With a 650 mm scale and a 50.5 mm nut width, the guitar offers traditional proportions, while its low weight contributes to an agile and responsive playing character.

Condition

The guitar is in excellent, almost mint condition. It shows only light wear marks consistent with the most careful use. There is no damage or repair, and the instrument remains in original condition.

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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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