Annette Stephany

Annette Stephany

Annette Stephany

www.annettestephany.com

Since 2003, Annette Stephany has been dedicated to the construction of guitars and acoustic plucked instruments. After three years of training at the Mittenwald Luthier School in Germany, she worked from 2006 to 2009 with master luthier Lorenzo Frignani in Modena, Italy. There she gained valuable experience in building new guitars as well as in the restoration and conservation of historical plucked instruments, adopting many refined and practical working methods.

During this period, her interest in the preservation of antique guitars continued to grow. To deepen her understanding of restoration techniques, she spent six months in the workshop of Bernd Kresse in Cologne, where the renowned luthier and restorer generously shared his extensive knowledge.

Since 2010 she has run her own workshop and continues to collaborate with Lorenzo Frignani in Modena. In addition, she maintains a small workshop in Coburg, Germany, where she focuses on both instrument making and the careful restoration of historical guitars.

The Craft

Annette Stephany works in the tradition of the German classical guitar tradition — a tradition that prizes hand work, careful wood selection, and the pursuit of tonal balance across the instrument's full range. Classical guitar construction at this level requires deep knowledge of wood acoustics, the ability to read and shape individual pieces of timber rather than treating them as interchangeable, and a patience that cannot be hurried. A concert guitar typically demands several hundred hours of work from raw materials to the finished instrument.

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  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Construction Year: 1964
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1490
    Tuner: Fustero
    Condition: Very good
  • Luthier: Friederike Linscheid
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1640
    Tuner: Klaus Scheller
    Condition: New
  • Luthier: Martin Bretscher
    Construction Year: 2026
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: Uv-cured finish
    Body Finish: Uv-cured finish
    Air Body Frequency: A
    Weight (g): 1860
    Tuner: Rubner
    Condition: New
  • Luthier: Simon Marty
    Construction Year: 2026
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G / G sharp
    Weight (g): 2185
    Tuner: Gilbert
    Condition: New
  • Luthier: Davide Scacchi
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Birdseye Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1240
    Tuner: Perona
    Condition: New
  • Manufacturer: Siccas Luthiers
    Manufacturer: Siccas Luthiers
    Construction Type: Traditional
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1500
    Tuner: Der Jung
    Condition: New

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