Andrés Segovia

Andrés Segovia

Andrés Segovia | Classical Guitarist – Profile & Videos

Andrés Segovia Torres (21 February 1893 – 2 June 1987) was born in Linares, Jaén, Spain. Entirely self-taught — he never attended a conservatory — he developed a technique and tone that set the standard for classical guitar in the twentieth century. His Paris debut in 1924 introduced him to the European concert world; his New York debut in 1928 established him as a figure of international standing. Over a career that spanned more than seven decades, Segovia transformed the guitar from a salon curiosity into a respected instrument of the concert hall.

Segovia did not achieve this alone. He actively commissioned new works, persuaded composers who had never written for the guitar to take it seriously, and built a repertoire where almost none had existed. He also transcribed a large body of music — Bach, Handel, Scarlatti — for solo guitar, giving the instrument a historical depth it had previously lacked. For the complete story of his life and career, see the Andrés Segovia – Complete Biography →

Key Achievements

  • Self-taught; built his technique entirely outside the conservatory system
  • Paris debut 1924; New York debut 1928 — established the guitar on the international concert stage
  • Commissioned major works from Federico Moreno Torroba, Manuel Ponce, Heitor Villa-Lobos and Mario Castelnuovo-Tedesco
  • Transcribed works by Bach, Handel and Scarlatti for solo guitar, creating a core of the classical guitar repertoire
  • Career spanning more than seven decades, performing into his nineties
  • Grammy Lifetime Achievement Award, 1986

Guitars He Played

In 1937 Segovia received a guitar built by Hermann Hauser I — an instrument he described as "the greatest guitar of our epoch." This Hauser became his primary concert guitar for decades and remains one of the most celebrated luthier-player associations in the history of the instrument. From around 1969 he played a José Ramírez guitar, another name synonymous with the finest Spanish guitar making.

If you are interested in the makers who defined the concert guitar, browse our selection of classical guitars or explore instruments from Hermann Hauser I and José Ramírez.

His Most Famous Students

Segovia taught master classes throughout his career, and several of his students went on to become major figures in their own right:

  • John Williams — studied with Segovia and became one of the most recorded classical guitarists of the twentieth century
  • Oscar Ghiglia — Italian guitarist who carried Segovia's approach into his own international career and teaching
  • Christopher Parkening — American guitarist widely regarded as among the finest of his generation
  • Alirio Díaz — Venezuelan guitarist who brought the Segovia tradition to South American repertoire

To understand what Segovia's influence permanently changed, read Andrés Segovia – His Legacy & the Guitar Before and After →

A Second Performance

Further Reading

The Library
  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
    Explore all classical guitars
  • Luthier: Zbigniew Gnatek
    Construction Year: 2023
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Polyurethane
    Air Body Frequency: G
    Weight (g): 1760
    Tuner: Pagos
    Condition: Excellent
  • Construction Year: 2025
    Construction Type: Double-Top Guitars
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F
    Weight (g): 1500
    Tuner: Kris Barnett
    Condition: Mint
  • Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1550
    Tuner: Fustero
    Condition: New
  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G
    Weight (g): 1710
    Tuner: Rubner
    Condition: New
  • Luthier: José Salinas
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F sharp / G
    Weight (g): 1550
    Tuner: Aparicio
    Condition: New
  • Construction Year: 2015
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Polyurethane
    Air Body Frequency: G / G sharp
    Weight (g): 2460
    Tuner: Alessi
    Condition: Excellent

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