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Johan Sarens - 2024 - Lattice - 64 cm
Johan Sarens - 2024 - Lattice - 64 cm
Details
Details
Luthier:
Johan Sarens
Overview
Overview
Video overview
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More details about the guitar
Johan grew up in a world full of music, visualization, and creativity. His father is a guitarist, and his grandfather was a lute maker. He first studied jazz guitar at the Royal Conservatory in Brussels and later guitar making at the CMB (Centre for Musical Instrument Making, Puurs – Belgium). As a trained guitarist and luthier, he knows all the facets and demands of the instrument. Since 2021 he also teaches the art of classical guitar making at the CMB. Johan specialises in classical and flamenco guitars, using the technique of the Spanish masters. He avoids the use of machines, crafts everything essential to the sound of the guitar by hand and refines all of his instruments with a French shellac polish. He received the “Gouden Bootschaaf 2017” – the golden finger plane 2017, an award that praises instrument makers for exceptional craftsmanship and spreading their knowledge about guitar making.
This brand-new guitar sports a delicate spruce top with a uniform, tight grain decorated with a minimalist rosette that confers a sense of elegance. The deep hues of the Indian rosewood back and sides complement these elements beautifully, conferring this guitar a refined and solemn aesthetic. As we have seen from previous guitars from Johan Sarens, the neck is extremely comfortable, finished with a discrete joint leading to the headstock. Sound-wise, this lattice-braced specimen honours it looks with a resounding and loud presence. Well defin4ed basses are well balanced with sweet singing trebles without showing signs of an overpowering middle range.
Otto Rauch is a German guitar maker from the small town of Obermoschel in Rheinland-Pfalz. With over 35 years of experience as a guitar maker, he is one of the German pioneers of double-top construction. After repairing a Matthias Dammann guitar in the early 1990s, Otto Rauch began building doubel-top guitars. At first, he used cedar struts and then a balsa core, a construction he continued to develop over the years. While helping a friend set up his violin making business, Otto Rauch came across the name of the 18th century Venetian violin maker Domenico Montagnana. His cellos are praised for their dark tone, fantastic sound volume and enigmatic construction. As these three attributes reflect Otto’s construction, he adopted the name, and the Domenico Montagnana model was born.
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