Oreste Lohs - 2026 No. 24

Oreste Lohs - 2026 No. 24

Price: 5.990 €
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Details

Luthier:  Oreste Lohs
Construction Year: 2026
Construction Type:  Traditional
Top: Spruce
Back and Sides: Madagascar rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: F / F #
Scale (mm): 650
Nut (mm): 52.0
Weight (g): 1480
Tuner: Alessi
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II “Siccas Edition”

Overview

This new 2026 Oreste Lohs No. 24 is a traditional spruce concert guitar with Madagascar rosewood back and sides, hot hide glue construction, French polish, and Alessi tuners. It offers an airy, open voice with deep flexible basses, soft singing trebles, good sustain, and a refined balance between traditional character and modern response.

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Details about GPSR

Classical Guitars
Manufacturer Information:
Oreste Lohs, Via Trapione 16/A, 38062, Arco, Italy, orestelohs@gmail.com
Responsible Person:
Oreste Lohs, Via Trapione 16/A, 38062, Arco, Italy, orestelohs@gmail.com
Note: For antique guitars, the GPSR does not apply.
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Video overview

Oreste Lohs 2026 No. 24
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More details about the guitar

About the luthier

Oreste Lohs is a young guitar maker from northern Italy, based in Arco near Lake Garda. After studying with Daniele Chiesa, he developed a personal building philosophy rooted in tradition, craftsmanship, and a sensitive understanding of sound. He produces only a small number of guitars each year and gives each instrument his complete attention.

Lohs works extensively with hand tools and uses hot hide glue throughout the construction, valuing direct contact with the wood and the clarity that traditional methods bring to his decisions. While the influence of Daniele Chiesa and the Granadan school is present in his work, his guitars already show a distinct personal identity, shaped by disciplined technique, respect for tradition, and calm artistic intuition.

About the guitar

This new 2026 Oreste Lohs No. 24 is a traditional concert guitar with a spruce top and Madagascar rosewood back and sides. Built with hot hide glue and finished entirely in French polish, it reflects a careful and historically grounded approach to construction. The rosette, inspired by Romanillos, is executed with precision, while the Torres influenced headstock gives the instrument a quiet and refined visual character.

The guitar has an airy and open voice, with a clear sense of resonance and an easy response under the right hand. Its air body frequency around F to F sharp supports a deep and flexible bass register, while the spruce top gives the sound definition, transparency, and a lively attack. Despite this clarity, the first string remains soft and singing, avoiding the excessive brightness that can sometimes appear in spruce instruments.

Across the register, the guitar offers full tones, good sustain, and a natural flow between melodic lines. It projects with confidence without needing to be forced, and subtle changes in right hand position bring colour changes readily into the sound. The result is a traditional concert guitar with a modern degree of power and response, shaped with care, sensitivity, and a clearly individual musical voice.

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