Andrea Tacchi - Coclea 2005 No. 296
Andrea Tacchi - Coclea 2005 No. 296
Details
Details
Overview
Overview
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Shipping important note
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Details about GPSR
Details about GPSR
Video overview
More details about the guitar
About the luthier
Andrea Tacchi was born in Florence in 1956, at a time when the city still sustained a dense culture of artisan workshops and artistic exchange. His path into guitar making began through his encounter with the South American luthier Ricardo Brané, and during the 1980s he refined both his craftsmanship and his artistic judgement through close contact with Robert Bouchet and Daniel Friederich. He later continued learning from other major figures of guitar making, including Ignacio Fleta, José Romanillos, and Robert Ruck, travelling to Spain, England, and the United States in order to deepen his understanding of the instrument.
His work received early international recognition when he won first prize in 1985 at the Concours International des Facteurs de Guitare, organised by Robert Vidal of Radio France. From that point onward, Tacchi established himself as one of the most respected makers of the modern classical guitar, with instruments sought after by concert artists, teachers, collectors, and a younger generation of professional players alike.
About the guitar
This Coclea model from 2005 is Andrea Tacchi’s own design and represents a mature example of his work. Built with spruce top and Indian rosewood back and sides, it offers a sound of unusual refinement, shaped by both smoothness and clarity. The impression from the first notes is one of openness and ease, yet without any loss of control. The tone carries a mellow surface and a gentle, almost polished quality, while still preserving enough separation for each note to remain individually present within the musical line.
What makes this instrument especially compelling is the equilibrium between beauty of colour and structural clarity. The sound feels rounded and cultivated, but never blurred. It has an almost fragrant freshness in its projection, paired with a singing quality that invites sustained listening and makes even simple phrases feel richly formed. This balance allows the guitar to remain expressive across a broad range of repertoire, offering both lyrical warmth and articulate focus. As so often with Tacchi’s best instruments, the result is not merely an attractive tone, but a voice with poise, depth, and an immediately recognisable sense of musical finish.
Condition
The guitar is in excellent original condition with normal signs of wear. There are no cracks and no repairs.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.