Sold

This guitar is sold – but we may have something similar.

Our experts know every guitar in the house and are happy to advise you personally.

Ask about similar guitars

Kim Lissarrague - 2026 No. 468

Details

Luthier:  Kim Lissarrague
Construction Year: 2026
Top: Cedar
Back and Sides: Ziricote
Soundboard Finish: Lacquer
Body Finish: Lacquer
Air Body Frequency: F # / G
Scale (mm): 650
Weight (g): 2510
Tuner: Rodgers
Strings: Knobloch - EDC 34.0
Condition: New

Overview

Kim Lissarrague’s 2026 No. 468 is a lattice-braced concert guitar with a cedar soundboard and arched ziricote back. Its response is exceptionally immediate, producing a broad, piano-like spectrum from the lightest touch. Deep basses, persistent trebles and freely speaking harmonics create a dark, smooth resonance, while excellent voice separation keeps complex textures clear. Rodgers tuners and Knobloch EDC 34.0 strings complete the setup.
View full details

Video overview

Kim Lissarrague 2026 No. 468
The Voice of Barcelona: Ignacio Fleta (1964) | Park, Lissarrague, Fuller, Brandstätter | WGM 2019

More details about the guitar

About the luthier

Kim Lissarrague is a respected Australian luthier whose work is closely associated with the modern Australian school of classical guitar making. He began building guitars at the age of thirteen and is now based in the Blue Mountains, west of Sydney, where he produces only a limited number of instruments each year.

His construction style centres on lattice-braced soundboards and arched backs, combining structural control with a strong emphasis on projection, sustain and clarity. Lissarrague’s guitars are conceived for the demands of the contemporary concert stage, where power must remain inseparable from tonal refinement and the ability to shape individual voices within complex textures.

About the guitar

No. 468 is a powerful expression of Kim Lissarrague’s lattice-braced concept. Its cedar soundboard and arched ziricote back form part of a substantial, highly controlled construction that releases an unusually broad and immediate spectrum of sound. Very little physical effort is required to set the instrument in motion: even a light touch produces a full tone with depth, projection and a clearly established harmonic field.

The voice has an almost piano-like breadth, particularly in the way the basses establish their foundation and the upper registers remain present above them. Notes sustain freely and continue to gather colour after the attack, while harmonics speak with unusual ease. This gives the sound an airy resonance despite its considerable density and power.

Its tonal character is dark, smooth and rich in overtones, yet never blurred. Within chords, each voice follows its own clearly defined path, allowing contrapuntal writing to remain transparent even when the full resonance of the instrument is engaged. The basses carry substantial depth, the trebles remain rounded and persistent, and the inner voices retain enough focus to be shaped independently.

The response is exceptionally fast, but the resulting sound is soft-edged rather than aggressive. Dynamic changes arrive without resistance, and the guitar offers a wide range between lightly voiced detail and concert-scale projection. This combination of immediate response, long sustain and disciplined separation gives No. 468 a commanding presence while preserving the nuance and flexibility required for refined musical phrasing.

The visual character is equally distinctive, with the richly figured ziricote back and sides complementing the modern architectural clarity of the design. Rodgers tuners and Knobloch EDC 34.0 strings complete the instrument’s carefully considered concert setup.

While this one is sold, these are ready for you

  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
    Look all products of the collection
  • Construction Year: 1964
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1490
    Tuner: Fustero
    Condition: Very good
  • Luthier: Friederike Linscheid
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1640
    Tuner: Klaus Scheller
    Condition: New
  • Luthier: Martin Bretscher
    Construction Year: 2026
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: Uv-cured finish
    Body Finish: Uv-cured finish
    Air Body Frequency: A
    Weight (g): 1860
    Tuner: Rubner
    Condition: New
  • Luthier: Simon Marty
    Construction Year: 2026
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G / G sharp
    Weight (g): 2185
    Tuner: Gilbert
    Condition: New
  • Luthier: Gerhard Oldiges
    Construction Year: 1993
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1580
    Tuner: Der Jung
    Condition: Excellent
  • Luthier: Karel Dedain
    Construction Year: 2026
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1420
    Tuner: Alessi
    Condition: New
  • Luthier: Davide Scacchi
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Birdseye Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1240
    Tuner: Perona
    Condition: New
  • Manufacturer: Siccas Luthiers
    Manufacturer: Siccas Luthiers
    Construction Type: Traditional
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1500
    Tuner: Der Jung
    Condition: New
  • Manufacturer: Siccas Luthiers
    Manufacturer: Siccas Luthiers
    Construction Type: Traditional
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1500
    Tuner: Der Jung
    Condition: New
  • Manufacturer: Siccas Luthiers
    Manufacturer: Siccas Luthiers
    Construction Type: Traditional
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: Polyurethane
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1500
    Tuner: Der Jung
    Condition: New

Related guitars

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

Early Access to Rare Guitars and Selected Offers

Receive early updates on newly arrived guitars, rare instruments, and selected special offers.