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Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Front view thumbnail
Rojas & Sanzol - 2025 Apollinea - Full view thumbnail
Rojas & Sanzol - 2025 Apollinea - Full view thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Back and sides thumbnail
Rojas & Sanzol - 2025 Apollinea - Neck and tuner thumbnail
Rojas & Sanzol - 2025 Apollinea - Neck and tuner thumbnail
Rojas & Sanzol - 2025 Apollinea - Neck and tuner thumbnail
Rojas & Sanzol - 2025 Apollinea - Certificate thumbnail

Rojas & Sanzol - 2025 Apollinea

Rojas & Sanzol - 2025 Apollinea

Price: 5.990 €
Tax free (0% US)
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Details

Construction Year: 2025
Construction Type:  Traditional
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: French polish
Body Finish: French polish
Air Body Frequency: F
Scale (mm): 650
Nut (mm): 52.0
Weight (g): 1400
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II “Siccas Edition”

Overview

The 2025 Apollinea by Rojas and Sanzol features a Val di Fiemme spruce top with asymmetrical traditional bracing, Indian rosewood body and French polish. It offers an intimate and bright tone with deep basses, gentle overtones and exceptional comfort. The response is immediate and expressive and the guitar invites fluid and lyrical playing.

Shipping important note

Delivery time is 3–5 business days.
Important: Additional costs such as import taxes and custom duties may occur when importing goods from the EU into your country.
Delivery times are typically reliable and most instruments arrive within the estimated timeframe.
Should any unexpected delay occur, our team will keep you informed and provide support at every step. For all shipping details and exceptions, please see our Shipping Policy.

Details about GPSR

Classical Guitars
Manufacturer Information:
Rojas & Sanzol, località Santa Cecilia 33, 29020, Coli (PC), Italy, uncamminatore@gmail.com
Responsible Person:
Rojas & Sanzol, località Santa Cecilia 33, 29020, Coli (PC), Italy, uncamminatore@gmail.com
Note: For antique guitars, the GPSR does not apply.
View full details

Video overview

Rojas & Sanzol 2025 "Apollinea" Classical Guitar Review
A Tremendous Guitar Maker You've Probably Never Heard Of! WGM #183

More details about the guitar

About the luthier

Matías Ezequiel Rojas and Carmen Sanzol were born in Buenos Aires, Argentina, where they received their first training in guitar making in 2007. After meeting during their studies they completed their apprenticeships and began building instruments professionally together. In the following years they broadened their knowledge with various teachers in both guitar and violin making and attended specialised seminars on traditional varnishes, acoustic behaviour of woods and bracing patterns, and restoration methods for plucked and bowed instruments. From 2016 onward they combined construction and restoration with teaching and later deepened their understanding of historical keyboard instruments, building an Italian polygonal spinet in collaboration with noted specialists.

In 2021 they moved to Cremona where they analysed and restored Italian guitars of the nineteenth and twentieth centuries and wrote documentation based on this work. Since 2023 they have also spent time in the workshop of Suji Kim in Parma, learning the construction methods of the Scrollavezza school of violin making. Recently they won the third prize at the Antonio Marín Montero competition in Granada. They now work in Santa Cecilia, a village in the Apennines of Piacenza, where all their guitars are built entirely by hand using traditional techniques and exclusively organic materials.

About the guitar

The 2025 Apollinea model is conceived as a pursuit of harmonious and rational aesthetics, a concept drawn from Greek art. The soundboard is Italian spruce from Val di Fiemme, chosen for its low resin content, lightness and transverse flexibility combined with longitudinal strength. The top is built with two transverse bars, one above and one below the soundhole, seven fan braces, and an additional transverse bar at bridge level. Heights, thicknesses and spacing are intentionally asymmetrical to allow the strings to express their full character. The rosette is inspired by the work of Santos Hernández. The back and sides are Indian rosewood and the cedar neck contains a concealed hardwood reinforcement. The ebony fingerboard and headplate give a sober solidity. The bridge is light and crafted from rosewood with coloured wood inlays and bone. Rubner El Sonido tuners complete the instrument. The finish is French polish.

The sound has an intimate and inviting quality. The tone is bright and smiling yet never sharp and the basses are remarkably deep for an instrument of this weight. A gentle veil of overtones surrounds the main voice and gives each note a luminous shape. The air body resonance lies around F and can be felt as a subtle undercurrent that breathes warmly beneath the fundamentals. The response is immediate and expressive even at soft dynamics and the guitar opens naturally when played with strength without losing its clarity. One of the most striking qualities is the comfort of the instrument. The left hand glides freely across the fingerboard and complex passages feel unusually accessible. The overall impression is of a finely balanced guitar that combines intimacy with depth and presents a vivid and poetic tonal landscape.

Related guitars

Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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