Pino Daniele — Naples, the Blues and a Nylon-String Guitar

Pino Daniele — Naples, the Blues and a Nylon-String Guitar

Italy loved Pino Daniele (1955–2015) as one of its greatest singer-songwriters, but guitarists love him for something more specific: he was a superb player who poured the soul of the nylon-string guitar into popular music, fusing the song of his native Naples with American blues into a sound entirely his own.

The Naples sound

Self-taught, Daniele blended Neapolitan melody with blues, jazz and Mediterranean colour — a mixture he jokingly named "taramblu," from tarantella, rumba and blues. At the centre of it was his guitar playing: warm, fluid, deeply expressive, and often voiced on nylon strings whose softness suited the tenderness of his songs perfectly.

A restless search for sound

Daniele was forever chasing new tones, moving between electric, semi-acoustic and acoustic instruments. Among his classical guitars, one stands out for any lover of fine instruments: an antique Louis Panormo from the second half of the 1800s — a guitar built in London more than a century earlier, given to him by family, which he had restored and used on the album Mascalzone Latino. Read about Louis Panormo →

Why it matters

Daniele is proof that the nylon-string guitar can be the beating heart of a national popular music. For millions in Italy and beyond, the sound of his classical guitar is the sound of Naples — soulful, sun-warmed and unmistakably human.

FAQ

Did Pino Daniele play classical guitar?

Yes — the nylon-string guitar was central to his style, and he owned and recorded with classical instruments, including an antique Louis Panormo.

What was his style?

A personal fusion of Neapolitan song with blues and jazz, which he nicknamed "taramblu."

Which famous guitar did he own?

A Louis Panormo classical guitar from the second half of the 19th century, used on the album Mascalzone Latino.

More stars who play classical guitar → · Browse our classical guitars

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  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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