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Mirko Migliorini - 2026

Details

Luthier:  Mirko Migliorini
Construction Year: 2026
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: Wax
Body Finish: Nitrocellulose
Air Body Frequency: F # / G
Scale (mm): 650
Weight (g): 1535
Tuner: Alessi
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hardshell

Overview

A 2026 Mirko Migliorini double-top guitar with spruce soundboard and Indian rosewood back and sides. It combines pronounced clarity and tone separation with remarkable consistency across strings and positions, while an elastic response allows the sound to move from brilliant and focused to round and full. An elevated fingerboard, refined yellow decorative accents, and a removable metal tornavoz complete its modern concert concept.
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Video overview

Mirko Migliorini 2026
Why This Gary Southwell Stands Out | Southwell, Migliorini, Della Giustina | WGM #224

More details about the guitar

About the luthier

Mirko Migliorini completed his studies at the Civica Scuola di Liuteria in Milan in 2002. During his training, workshops with internationally recognised guitar makers encouraged him to develop a distinct personal approach to construction. His work received early recognition with third prize at the fifth International Guitar Making Competition in Baveno in 2001, followed by the Golden Guitar at the twenty sixth International Guitar Conference in Milan, a distinction reserved for a small number of makers who have made a significant contribution to the art of instrument building. Migliorini’s guitars combine a high level of craftsmanship with a strong musical sensitivity, often bringing modern construction concepts together with tonal ideals rooted in the classical tradition.

About the guitar

Clarity and separation are central to the character of this 2026 double-top guitar. Individual voices remain remarkably distinct, even when the texture becomes dense, while the response preserves enough elasticity to move freely between contrasting colours. The guitar can produce a brilliant, focused sonority without becoming hard, yet it can also be drawn towards a rounder and more enveloping tone. This breadth of colour gives the player considerable control over articulation and phrasing rather than confining the instrument to a single dominant sound.

Equally notable is the consistency from string to string and across different positions of the fingerboard. Notes retain a coherent character as lines move through the registers, supporting clean contrapuntal playing and allowing changes of colour to be shaped deliberately rather than compensating for uneven areas of the instrument. The spruce double top responds quickly, but the sound remains organised and well separated, combining the immediacy of modern construction with a particularly clear sense of definition. A removable metal tornavoz adds another dimension to the concept, allowing the player to introduce greater depth of resonance and a longer sense of sustain when desired.

The visual language is modern but restrained. Indian rosewood back and sides frame the pale spruce soundboard, while the elevated fingerboard reinforces the contemporary construction concept. Yellow accents in the rosette are echoed in the purfling and bindings, creating a subtle continuity of colour throughout the instrument. Fine fretwork and softly rounded fingerboard edges further reflect Migliorini’s attention to the details that shape the player’s physical contact with the guitar. The result is an instrument whose refinement is expressed less through ornament than through precision: clear separation, even response, a wide spectrum from brilliance to roundness, and an unusually flexible relationship between touch and colour.

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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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