Daniel Friederich - 1972 No. 345
Daniel Friederich - 1972 No. 345
Details
Details
Overview
Overview
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Shipping important note
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Video overview
More details about the guitar
About the luthier
Daniel Friederich was born on January sixteenth 1932 and passed away in 2020. Although he initially wished to become a guitarist, financial limitations led him to approach the instrument from a different angle. At the age of twenty three he built his first guitar, inspired by a Simplicio model. His early development was strongly supported by his guitar teacher Christian Aubin, who was also an accomplished guitar maker. After gaining experience and building his own tools, Friederich presented his fifteenth guitar to Robert Bouchet, whose ideas became a lasting influence throughout his career. Over time, Friederich developed several of Bouchet’s concepts further and transformed them into a highly personal and recognisable language.
For decades Daniel Friederich was regarded as one of the most important and respected active luthiers worldwide. His instruments defined a new standard for balance, precision and clarity in the modern classical guitar. After ending his guitar making activity in 2015 and selling his tools, his reputation continued to grow. Today his guitars are considered landmarks of twentieth century guitar making and are admired for their consistency, musical authority and unmistakable voice.
About the guitar
This concert model from 1972 belongs to one of the most highly regarded periods of Daniel Friederich’s work. It is traditionally built with a spruce top and Indian rosewood back and sides, finished entirely in nitrocellulose. The comparatively higher weight reflects the double sides construction, a structural feature that contributes to volume and projection. The craftsmanship is precise and restrained, focusing entirely on function and acoustic integrity. Fustero tuning machines complete the instrument with reliable and elegant mechanics.
In sound the guitar displays an exceptional level of balance and coherence. Each note speaks with equal strength and duration, creating a unified tonal field across all registers. The separation between voices is remarkably clear, allowing complex textures to unfold without congestion. The sustain is long and even, giving the impression that tones remain connected as if drawn from a single continuous source. The dynamic range is wide and responsive, revealing subtle nuances and previously unheard layers within familiar repertoire. The guitar invites an open style of playing and encourages exploration of colour, articulation and resonance. It is an instrument that reshapes the way music is perceived and performed, reflecting the defining qualities that have made Friederich’s guitars enduring references.
Condition
The guitar is in very good condition. The finish has been professionally refreshed using nitrocellulose lacquer. There is one short crack on the top that has been professionally repaired with cleats. The repair is stable and does not affect the structural integrity or the sound of the instrument.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.