Edgar Mönch - 1953 / 24

Price: 11.990 €
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Details

Luthier:  Edgar Mönch
Construction Year: 1953
Construction Type:  Traditional
Top: Spruce
Back and Sides: Indian rosewood
Soundboard Finish: French polish
Body Finish: Lacquer
Air Body Frequency: F # / G
Scale (mm): 650
Nut (mm): 51.0
Weight (g): 1470
Tuner: Landstorfer
Strings: Knobloch - EDC 34.0
Condition: Very good

Overview

A beautiful 1953 classical guitar by renowned German luthier Edgar Mönch, featuring a spruce soundboard and Indian rosewood back and sides. Its exceptionally pure, balanced voice combines sweet, singing trebles with remarkable clarity and projection. Lightly built and wonderfully responsive, it offers an intimate tonal character capable of carrying effortlessly through larger spaces. In very good condition, with three professionally repaired and reinforced cracks and a complete professional shellac repolishing.

Shipping important note

Delivery time is 3–5 business days.
Important: Additional costs such as import taxes and custom duties may occur when importing goods from the EU into your country.
Delivery times are typically reliable and most instruments arrive within the estimated timeframe.
Should any unexpected delay occur, our team will keep you informed and provide support at every step. For all shipping details and exceptions, please see our Shipping Policy.

Details about GPSR

Classical Guitars
Manufacturer Information:
Edgar Mönch
Responsible Person:
Siccas Guitars GmbH, Roonstr. 31, 76137 Karlsruhe, Germany, www.siccasguitars.com, info@siccasguitars.com
Note: For antique guitars, the GPSR does not apply.

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Video overview

Edgar Mönch 1953/24
Like a Daniel Friederich from 2026! Cao, Migliorini, Mönch, Verreydt | WGM #237

More details about the guitar

About the luthier

Edgar Mönch (1907–1977) was one of the most distinguished German guitar makers of the twentieth century, admired for the precision, refinement and remarkable musical qualities of his instruments. Born in Leipzig into a musical family, with a Russian pianist as his mother and a violinist and Kapellmeister as his father, he developed a profound appreciation for music from an early age. After studying engineering at the Technical University of Danzig and violin at the Prague Conservatory, Mönch discovered the craft of instrument making during his imprisonment in England as a prisoner of war. Following his release in 1947, he dedicated himself to guitar making, further refining his knowledge through studies with Marcelo Barbero in Madrid. His workshop in Munich became an important centre of classical guitar craftsmanship, attracting talented apprentices such as John Larrivée, Kolya Panhuyzen, Ken Bowen and Joseph Kurek. Mönch's instruments were appreciated by renowned guitarists including Andrés Segovia, Julian Bream and John Williams. His meticulous approach to construction and his pursuit of tonal purity, balance and musical expression established a legacy that continues to inspire guitar makers and musicians alike.

About the guitar

There is a remarkable sense of freedom and openness in the sound of this Edgar Mönch guitar from 1953, an instrument that reveals the extraordinary refinement of the maker's early work in Munich. Its tonal character combines the clarity and precision associated with the finest instruments of the Hermann Hauser tradition with a particularly sweet, lyrical quality in the trebles. The spruce soundboard and Indian rosewood back and sides are brought together in an elegant, remarkably light construction, reflecting Mönch's meticulous craftsmanship and sensitivity to the acoustic properties of his instruments.

What makes this guitar especially captivating is the effortless way in which the sound unfolds. Each note emerges with exceptional purity and definition, maintaining a beautifully consistent character across the different strings and positions of the fingerboard. The trebles possess a delicate sweetness, particularly on the first string, where melodic lines sing with an intimate yet remarkably expressive presence. The basses provide a clear and well proportioned foundation, allowing the individual voices to remain distinct even within complex musical passages. There is an almost weightless quality to the sound, as though the instrument allows every phrase to breathe freely, without excessive density or resistance.

Equally fascinating is the guitar's projection. In a smaller room, its refined and intimate voice may seem relatively restrained, yet its exceptional clarity and separation allow individual notes to carry with remarkable precision across larger acoustic spaces. Rather than relying on sheer volume, the instrument projects through the focus and integrity of each tone, preserving the finest nuances of articulation and expression. This combination of tonal transparency, singing trebles and natural projection gives the guitar an expressive character that is both intimate and capable of filling a concert hall with beautifully defined musical lines. A wonderful example of Edgar Mönch's distinctive approach to traditional classical guitar making.

Condition

The guitar is in very good condition for its age, showing several signs of use consistent with its history. Three cracks have been professionally repaired and stabilised with diamond shaped cleats: one on the soundboard behind the bridge, another at the junction between the soundboard and the right side of the fingerboard, and a third on the lower side of the body. These repairs have been professionally carried out, and the instrument's structural integrity is preserved. The guitar has also undergone a complete professional repolishing with shellac.

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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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