Fernando Mazza - 2026

Fernando Mazza - 2026

Price: 8.990 €
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Details

Luthier:  Fernando Mazza
Construction Year: 2026
Construction Type:  Lattice
Top: Cedar
Back and Sides: Santos rosewood
Soundboard Finish: Nitrocellulose
Body Finish: Polyurethane
Air Body Frequency: A / A #
Scale (mm): 650
Nut (mm): 51.0
Weight (g): 1840
Tuner: AR
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II

Overview

Fernando Mazza’s 2026 lattice braced concert guitar with cedar top and Santos rosewood back and sides offers a distinctly modern voice with strong projection, fast response, and a dark, round tonal character. Rich in soft overtones and supported by very good sustain, it produces a full sound with little effort while remaining well balanced. An armrest and sound port complete an instrument that feels immediate, comfortable, and clearly defined in character.

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Details about GPSR

Classical Guitars
Manufacturer Information:
Fernando Mazza, VIA VIUCULA DI POGGIO MONDO, 72, 52100, Arezzo, Italy
Responsible Person:
Fernando Mazza, VIA VIUCULA DI POGGIO MONDO, 72, 52100, Arezzo, Italy
Note: For antique guitars, the GPSR does not apply.
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Video overview

Fernando Mazza 2026
One of the Most Sought-After Lattice Braced Guitars | Mazza, Fallah, Tacci, Eden | WGM#203

More details about the guitar

About the luthier

Fernando Mazza is an Argentine guitar maker who, after an earlier career as a guitarist, devoted himself fully to lutherie. He established his workshop in Arezzo, Italy, where he builds instruments known for their modern construction, strong projection, and distinctive visual identity. His work is closely associated with the Australian lattice tradition, through which he has developed guitars that combine structural efficiency with a rich and immediate tonal response.

About the guitar

This 2026 guitar by Fernando Mazza is a lattice braced concert instrument with cedar top and Santos rosewood back and sides. Its character is unmistakably modern, both in sound and in appearance. The armrest and sound port are integrated into a design that feels contemporary without becoming visually excessive, while the tonal result is defined above all by speed, power, and ease of response.

The first impression is one of striking volume and immediacy. The guitar speaks with very little effort and produces a dark, round tone rich in soft overtones, giving the sound a full and already formed quality from the very first notes. Despite its power, the voice remains well balanced, which is essential in an instrument of this type. It does not aim for a bright, sharply focused sound, but instead offers a slightly nasal colour within a broader palette that is mellow, full, and sustained. The result is a guitar with strong projection, generous resonance, and a notably forgiving response under the hand.

Its sustain is very good, and the tone emerges so readily that the instrument feels almost self generating in its sound production. This makes it especially attractive for players who want a modern concert guitar that gives a great deal back with minimal physical effort. At the same time, its character is clearly defined, with somewhat less emphasis on a broad range of colour changes than one might expect from a more traditional design. What it offers instead is immediacy, comfort, and a dark, piano like fullness that remains consistently satisfying to play.

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