Jose Ramirez - 1968 "MT" Mariano Tezanos No. 2957
Details
Details
Overview
Overview
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Shipping important note
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More details about the guitar
About the luthier
Under José Ramírez III, the Madrid workshop became one of the defining forces in twentieth-century Spanish guitar making. As demand for his concert instruments grew, Ramírez trained a generation of highly skilled oficiales who worked within the construction principles of the house while remaining responsible for building each guitar from beginning to end. The normal “MT” stamp found inside this 1968 instrument identifies Mariano Tezanos Martín, one of the distinguished makers from this period. His name is particularly closely associated with the great concert guitars of the Ramírez III era: Andrés Segovia is known to have particularly favored a 1968 Ramírez bearing Tezanos’s MT stamp. Instruments such as No. 2957 therefore bring together the design language of José Ramírez III, the hand of an individual master craftsman, and the enduring tradition of the Madrid school.
About the guitar
Some guitars reveal their character most clearly in a single chord, and this 1968 MT is a striking example. Its projection is powerful, but what stands out even more is the equilibrium within the sound: individual voices emerge with remarkably even weight and intensity, yet remain clearly separated from one another. This combination of balance and definition allows dense chords and contrapuntal textures to retain transparency without sacrificing body or presence.
The sustain is generous and gives melodic lines a naturally singing quality, while the trebles carry an elegant brilliance that remains free from excessive sharpness or hardness. There is considerable energy in the sound, but it is controlled rather than aggressive; notes project with authority while preserving colour, separation, and a refined sense of proportion across the registers.
A spruce soundboard is paired with Indian rosewood back and sides, while the sides themselves follow the substantial doubled construction associated with Ramírez instruments of this period, with an inner layer of cypress. The resulting voice has both breadth and focus: full-bodied enough to support sustained melodic playing, yet sufficiently articulate for every line within a chord to remain distinct. Together with its historical position in the Ramírez III workshop and the MT stamp of Mariano Tezanos Martín, this gives the guitar a particularly compelling connection to one of the most influential periods of the Madrid guitar-making tradition.
Condition
The guitar is in very good condition, showing normal wear consistent with its age and careful use. There are two well-repaired cracks on the back, one of which has been stabilised internally with a cleat. Otherwise, the instrument remains in very good condition.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.
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Frequently Asked Questions About Classical Guitars
How do I choose the right classical guitar for my level?
Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.
What is the difference between a master guitar and a studio guitar?
Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.
Can I try a classical guitar at home for 14 days?
Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.
Can I try a classical guitar before purchasing?
Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.
What payment methods and financing options do you offer?
We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.
How do I properly care for my classical guitar?
A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.