Kim Lissarrague - 2010 No. 125

Kim Lissarrague - 2010 No. 125

Price: $9,475
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Details

Luthier:  Kim Lissarrague
Construction Year: 2010
Construction Type:  Lattice
Top: Cedar
Back and Sides: Ziricote
Soundboard Finish: Wax
Body Finish: Lacquer
Air Body Frequency: F # / G
Scale (mm): 650
Nut (mm): 51.5
Weight (g): 2390
Tuner: Gilbert
Strings: Knobloch - EDC 34.0
Condition: Excellent

Overview

Lissarrague No. 125 (2010) is a lattice-braced concert guitar with cedar top and ziricote back and sides. Dark, rounded tone, huge projection, and smooth Gilbert tuners.

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Details about GPSR

Classical Guitar
Manufacturer Information:
Kim Lissarrague
Responsible Person:
Siccas Guitars GmbH, Roonstr. 31, 76137 Karlsruhe, Germany, www.siccasguitars.com, info@siccasguitars.com
Note: For antique guitars, the GPSR does not apply.
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Video overview

Kim Lissarrague - 2010 No. 125 Classical Guitar Review
Underrated Luthiers You Must Hear! WGM #179 Mönch, Vailati, Lissarrague, Stenzel, Kohno

More details about the guitar

About the luthier

Kim Lissarrague is a respected Australian luthier whose work is strongly linked to the “Australian school” of classical guitar building. He began making guitars at the age of thirteen and is now based in the Blue Mountains, west of Sydney. Producing a limited number of instruments each year, he has developed a signature style centred on lattice-braced soundboards and arched backs. His guitars are renowned for their extraordinary projection, clarity and sustain, crafted for musicians who require power, presence and tonal refinement in a modern concert setting.

About the guitar

Built in 2010, No. 125 is a commanding concert instrument that exemplifies Lissarrague’s approach. The thin and responsive cedar top is matched with rigid ziricote back and sides that add density and projection. The result is a dark, rounded tone with impressive sustain and a wide dynamic envelope. Despite its power, the guitar retains subtlety and control, responding well to both light and forceful playing styles.

The soundboard is finished with a light- matte wax coating, preserving the cedar’s natural resonance, while the body is protected by a polyurethane lacquer. Gilbert tuners, with their low-friction mechanism, provide smooth tuning without the need for oil or grease. This is a true example of the Australian lattice concept: bold, efficient, and refined, offering clarity, balance and tremendous projection without losing warmth or personality.

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