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Ask about similar guitarsVicente Carrillo - 2026 Gabriela II - Spruce 64 cm
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About the luthier
The Carrillo family’s guitar-making tradition reaches back to 1744 in Casasimarro, in the Spanish region of Manchuela Conquense, a town whose long association with the craft earned it the nineteenth-century nickname “El pueblo de las Guitarras” – the town of guitars. Vicente Carrillo represents the seventh generation of the family and continues to build in the same place. His work combines this inherited tradition with an active interest in contemporary construction methods, always seeking greater response, balance and carrying power. Carrillo received a Regional Craftsmanship Award in 2009 and a National Award in 2010. His instruments have been played by musicians including Paco de Lucía, Tomatito, Cañizares, El Niño Josele, Rafael Cañizares, Javier Limón, Keith Richards and Josemi Carmona.
About the guitar
The Gabriela II is Vicente Carrillo’s modern double-top concert model, conceived to combine immediate response with sustained, well-balanced resonance. In this 64 cm spruce version, the sound is notably round and supple, with a generous overtone field surrounding the fundamental. Notes develop with softness rather than hardness, yet remain present and clearly shaped, giving melodic lines a broad, singing quality and allowing chords to retain colour as they decay.
One of the guitar’s most striking qualities is how readily it releases sound. Very little effort is needed to bring a note into full presence, and this immediacy gives the instrument an unusually cooperative character in technically demanding repertoire. Fast passages can be articulated without having to force the sound, while longer notes are supported by substantial sustain. Carrillo’s light lattice bracing contributes to this combination of continuity and balance, while the double-sided construction is designed to reinforce projection and keep the response quick and direct.
For the Gabriela II guitars supplied to Siccas Guitars, Carrillo uses a specially selected stock of Madagascar rosewood for the back and sides, paired here with a spruce double top. The 640 mm scale and 51 mm nut width form a particularly comfortable combination, complementing the guitar’s low-effort response and making complex left-hand work feel less restrictive. The result is a modern concert guitar whose strength lies not simply in volume, but in how easily the sound opens: rounded, overtone-rich and sustained, with enough immediacy to let the player concentrate on phrasing, colour and musical detail.
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