Till Veeh
Till Veeh was born in Böblingen and received his first guitar lessons at the age of eight.
From 1993 to 1996 he studied with Helmut Rauscher at the Calw Music School. During this time he earned scholarships in solo and duo performance, awarded at music school competitions. Since February 1997 he has been teaching at the Calw Music School, where many of his students have won first prizes at the Baden-Württemberg Tonkünstler Competition and at the national competition “Jugend musiziert”.
From October 1996 to July 2004 he studied at the Stuttgart University of Music with Prof. Dr. Mario Sicca. In 2000 he completed his diploma with the grade “very good”, which also qualified him for the artistic training program. In July 2004 he passed his concert exam with the top grade of 1.
His artistic development was shaped by masterclasses with Manuel Barrueco, Tilman Hoppstock, Prof. Thomas Müller-Pering and Aniello Desiderio.
Till Veeh performs an extensive repertoire of solo and chamber music for guitar, covering works by Johann Sebastian Bach, Domenico Scarlatti, Fernando Sor, Mauro Giuliani, Francisco Tárrega, Mario Castelnuovo-Tedesco, Isaac Albéniz, Roland Dyens, Leo Brouwer, Agustín Barrios Mangoré, Niccolò Paganini, Johann Kaspar Mertz and others.
He has won several first prizes at regional, state and national competitions as a soloist, in ensembles and with the Calw Music School Guitar Orchestra. In 2000 he received the first federal prize at the German Orchestra Competition with the Calw Guitar Orchestra.
In addition to numerous public performances as a soloist and chamber musician, he has made radio, television and CD recordings, including for Süddeutscher Rundfunk.
Performing at Siccas Guitars
Every classical guitarist who performs at Siccas Guitars brings a distinct musical path to the instrument — shaped by years of study, competition experience, and the particular musical tradition they have chosen to inhabit. The classical guitar demands sustained technical commitment and a deep engagement with a repertoire that spans from the Renaissance through to works written for living performers. It is an instrument whose full possibilities only reveal themselves over time.
