Jim Redgate — One of the Great Modern Guitar Makers

Jim Redgate — One of the Great Modern Guitar Makers

When a luthier's instruments are chosen by players like Pepe Romero, Ana Vidović and Sérgio and Odair Assad, you know you are in the presence of something special. Jim Redgate, working from his home workshop in Adelaide, Australia, is widely regarded as one of the finest classical guitar makers alive — a builder whose powerful, refined instruments stand at the cutting edge of modern lutherie.

From player to maker

Born in London in 1963, Redgate moved to Australia with his family as a small child. His father, a skilled craftsman, introduced him to woodworking early on, but Redgate first came to the guitar as a musician: he studied performance at the Elder Conservatorium of Music in Adelaide, graduating with honours in 1988. That double background — a trained guitarist who is also a gifted woodworker — is the key to his work. He builds for the player because he is one.

A full-time master

After his studies, Redgate decided to devote himself entirely to building. He supported himself by teaching at first, then became a full-time luthier in 1992. Today he produces only around twenty instruments a year — a small, deliberate output that allows him to give each guitar the attention of a true master. Such scarcity is part of why his instruments are so sought after.

Innovation in construction

Redgate is known above all for his pursuit of power and projection without sacrificing beauty of tone. Like his countryman Greg Smallman, he builds lattice-braced guitars with a slightly arched back to boost volume, and he uses lightweight carbon-fibre reinforcement under the soundboard. His range includes acclaimed lattice, double-top and "wave" double-top models — different routes to the same goal of a big, clear, responsive sound that carries effortlessly in a large hall.

The Redgate sound

What players prize in a Redgate is the combination of sheer power with clarity and warmth — an instrument that fills a concert hall yet remains beautiful and singing up close. It is no accident that Ana Vidović, who values exactly that balance, plays his guitars exclusively. For many, a Redgate represents the modern concert guitar at its most refined.

FAQ

Where does Jim Redgate work?

In his home workshop in Adelaide, Australia, where he builds around twenty guitars a year.

What kinds of guitars does he build?

Lattice-braced and double-top concert guitars, designed for power, clarity and projection.

Which artists play his guitars?

Among others, Pepe Romero, Ana Vidović and the Assad brothers.

See Jim Redgate guitars → or browse all classical guitars

The Library
  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
    Explore all classical guitars
  • Construction Year: 1994
    Construction Type: Flamenco
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cypress
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1430
    Tuner: Ping Well
    Condition: Very good
  • Luthier: Kim Lissarrague
    Construction Year: 2013
    Construction Type: Lattice
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Wax
    Body Finish: Lacquer
    Air Body Frequency: F sharp / G
    Tuner: Gilbert
    Condition: Very good
  • Luthier: Luca Santambrogio
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1450
    Tuner: Alessi
    Condition: New
  • Luthier: Alessandro Perciaccante
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1550
    Tuner: Kraken
    Condition: New
  • Manufacturer: Armin Hanika
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: Wax
    Body Finish: Uv-cured finish
    Air Body Frequency: G
    Tuner: Alessi
    Condition: New
  • Manufacturer: Armin Hanika
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: French polish
    Body Finish: Uv-cured finish
    Tuner: Alessi
    Condition: New

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