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Armin Hanika - 58 BC
Armin Hanika - 58 BC
Details
Details
Manufacturer:
Armin Hanika
Overview
Overview
More details about the guitar
At HANIKA craftsmanship is understood as custom work and sound as art. A guitar from the famous Baiersdorf manufacture is a symbol of quality and craftsmanship tradition. Since 1953 it has been the basis for the success story of the company, combined with trend-setting innovations. Master plucked instrument maker Armin Hanika took over the company from his father in 1993 and has been building classical guitars of outstanding quality ever since.
Master luthier Armin Hanika took over the family business in 1993, infusing it with his passion for creating classical guitars of exceptional quality. Each instrument is crafted with the finest materials, including a top of the best cedar wood and the back and sides of premium bocote. Bocote is known for its dense wood structure and is widely regarded as one of the best tonewoods for guitars. This perfect combination results in a guitar that has a rich and full sound with a clear tone, making it ideal for discerning players.
The 58 BC boasts a high-gloss UV-cured acrylic lacquer finish, a 7-fan bracing system, and an arched top, ensuring a superior playing experience. The intricate details, including Rubner R2-E tuners with ebony pegs, engraving and Teflon bearings. As well as a maple Makassar headstock, a cedro neck made of the finest hardwood, and a high-quality ebony fingerboard, showcase the superior quality of the 58 BC.
HANIKA’s dedication to craftsmanship and excellence make our guitars a symbol of quality that players will cherish for generations to come.
Otto Rauch is a German guitar maker from the small town of Obermoschel in Rheinland-Pfalz. With over 35 years of experience as a guitar maker, he is one of the German pioneers of double-top construction. After repairing a Matthias Dammann guitar in the early 1990s, Otto Rauch began building doubel-top guitars. At first, he used cedar struts and then a balsa core, a construction he continued to develop over the years. While helping a friend set up his violin making business, Otto Rauch came across the name of the 18th century Venetian violin maker Domenico Montagnana. His cellos are praised for their dark tone, fantastic sound volume and enigmatic construction. As these three attributes reflect Otto’s construction, he adopted the name, and the Domenico Montagnana model was born.
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