Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Front view thumbnail
Ashley Sanders - 2026 - No. 77 - Full view thumbnail
Ashley Sanders - 2026 - No. 77 - Full view thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Back and sides thumbnail
Ashley Sanders - 2026 - No. 77 - Neck and tuner thumbnail
Ashley Sanders - 2026 - No. 77 - Neck and tuner thumbnail
Ashley Sanders - 2026 - No. 77 - Neck and tuner thumbnail
Ashley Sanders - 2026 - No. 77 - Neck and tuner thumbnail
Ashley Sanders - 2026 - No. 77 - Certificate thumbnail
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Ashley Sanders - 2026 - No. 77

Ashley Sanders - 2026 - No. 77

Details

Luthier:  Ashley Sanders
Construction Year: 2026
Top: Cedar
Back and Sides: African blackwood
Soundboard Finish: French polish
Body Finish: Lacquer
Air Body Frequency: F / F #
Scale (mm): 650
Weight (g): 2120
Strings: Knobloch - EDC 34.0
Condition: New
Case: Hiscox Pro II

Overview

Ashley Sanders No. 77 (2026) lattice guitar with cedar top and Australian Blackwood back and sides. Remarkably loud, bright and sweet in character, with fast response and strikingly even balance. A refined concert instrument with Spanish colour and exceptional playing comfort.
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Video overview

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Ashley Sanders 2026 Classical Guitar Review
AN AUSTRALIAN GUITAR WITH A SPANISH TONE! Sanders, Aboutalebian, Siccas Luthiers | WGM #197

More details about the guitar

About the luthier

Ashley Sanders is a luthier based in South Australia who has been building guitars for more than two decades. Originally trained as a cabinet maker, he produced custom furniture for antique dealers and interior designers. This background in fine woodworking remains evident in the structural precision and material control of his instruments.

His entry into the classical guitar world came through the encouragement of an Adelaide luthier who recognised the quality of his craftsmanship and offered early guidance. Although initially drawn to steel string acoustics, Sanders developed a lasting commitment to the tonal depth and visual restraint of the classical guitar. He builds only a small number of instruments each year, favouring gradual refinement and close attention to each individual top. As he formulates his approach:

“In reality I hope the guitars will be accepted and played, based on their merits alone with less of my story involved.”

About the guitar

This No. 77 from 2026 is a lattice braced concert guitar with a cedar soundboard and Australian Blackwood back and sides. The lattice is reinforced at the intersections with black dyed maple veneer rather than carbon fibre, creating a structure that combines stability with flexibility. The result is an instrument of remarkable immediacy and volume.

The voice is notably loud, yet never coarse. It carries easily into the room with a bright and sweet upper register that evokes a distinctly Spanish colour. The balance across the strings is strikingly even, almost piano like in its consistency, allowing chords and polyphonic textures to unfold with clarity and order. The response is quick and elastic, giving the player a sense of direct connection to the sound.

Despite its powerful projection, the tone retains refinement. The basses are clear and supportive, the trebles luminous without sharpness. Australian Blackwood lends definition and focus, complementing the lively cedar top. The neck profile contributes significantly to the overall impression, offering a natural comfort that makes the instrument feel inviting and fluid in the hands. It is a guitar that encourages exploration while maintaining structural poise.

While this one is sold, these are ready for you

  • Classical Guitars

    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Antonius Müller
    Construction Year: 2013
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Brazilian rosewood (CITES certified)
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Weight (g): 1615
    Tuner: Rodgers
    Condition: Very good
  • Luthier: Jakob Lebisch
    Construction Year: 2022
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1240
    Tuner: Klaus Scheller
    Condition: Excellent
  • Luthier: Daniele Marrabello
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1395
    Tuner: Kris Barnett
    Condition: New
  • Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: A
    Weight (g): 1705
    Tuner: Gotoh
    Condition: New
  • Luthier: Adrien Savary-Freestone
    Construction Year: 2020
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1230
    Tuner: Perona
    Condition: Excellent
  • Luthier: Jose Marques
    Construction Year: 2026
    Construction Type: Lattice
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Polyurethane
    Air Body Frequency: F / F sharp
    Weight (g): 1730
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Hermann Hauser II
    Luthier: Rare Guitars
    Construction Year: 1976
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G sharp / A
    Weight (g): 1530
    Tuner: Landstorfer
    Condition: Excellent
  • Luthier: Richard Jacob Weissgerber
    Construction Year: 1940
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1250
    Tuner: Antique
    Condition: Very good
  • Construction Year: 1970
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: F sharp / G
    Weight (g): 1610
    Tuner: Fustero
    Condition: Excellent
  • Luthier: Stephan Connor
    Construction Year: 2024
    Construction Type: Lattice
    Top: Spruce
    Back and Sides: Other-woods
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G sharp
    Weight (g): 1765
    Tuner: Sloane
    Condition: Excellent

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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

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