Friederike Linscheid - 2026 Doubletop
Details
Details
Overview
Overview
Shipping important note
Shipping important note
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More details about the guitar
About the luthier
Friederike Linscheid is a German guitar maker based in Berlin, where she shares a workshop with fellow luthier Adrian Heinzelmann. Her connection to instrument making began during her childhood, when guitar lessons brought her into contact with a violin maker's workshop. After studying guitar making at the renowned instrument-making school in Mittenwald, she returned to Berlin in 2009 to establish her independent career. Her approach combines traditional craftsmanship with acoustic analysis, particularly in the selection and evaluation of soundboard materials. Drawing on principles of Spanish guitar construction and the work of Robert Bouchet, she has developed a distinctive approach in which structural refinement, tonal consistency, and understated visual design form a coherent whole.
About the guitar
This 2026 double-top guitar, No. 73, reveals a particularly compelling aspect of Friederike Linscheid's work: the combination of modern responsiveness and projection with the tonal richness and sustained resonance often associated with traditional concert guitars. Its entirely wooden double-top construction uses an intricately grooved internal structure to create cavities within the soundboard, reducing moving mass while preserving structural strength, without relying on Nomex or other synthetic core materials. The result is an instrument with remarkable immediacy, substantial volume, and a surprisingly long, even sustain.
The cedar soundboard and Indian rosewood back and sides contribute to a voice of considerable depth and colour. The trebles emerge with unusual speed and a distinctly forward, singing character, carrying with strength without becoming hard or aggressive. Individual notes remain clearly defined, even in harmonically dense passages, while the resonance develops around them rather than obscuring their separation. Particularly striking is the persistence of the sound: notes continue to sing with a breadth and duration that gives melodic lines room to unfold, while the quick attack retains the clarity and articulation expected of a modern double-top instrument.
The construction is equally thoughtful in its ergonomics. Rather than employing a conventional raised fingerboard, Linscheid shapes the upper treble bout with a subtle downward curve, creating additional access to the higher positions while maintaining an elegant, largely traditional silhouette. The workmanship is exceptionally precise, from the carefully integrated construction details to the restrained visual presentation. This guitar brings together powerful projection, articulate response, and lingering resonance in an instrument that remains refined and nuanced throughout its dynamic range.
Regular care extends the life of the instrument
Even with careful use, a classical guitar may gradually change in appearance or respond to unstable storage conditions. Have a close look at your guitar regularly and be attentif to changes. If your instrument is suffering from its environement, it will let you know.
Protect Your Guitar: Handle with Care
Be mindful when touching your instrument with greasy or unwashed hands: any skin contact is a small attack on the varnish. Of course, a guitar is made to be played, but taking a few precautions helps preserve its beauty: wash your hands before playing, wear long sleeves, and avoid unnecessary direct skin contact with the body of the instrument.
Pro tip: Avoid playing with a button-up shirt, heavy jewelry, or a belt, as these can scratch the guitar. Also, make sure your guitar case is free of any objects that could damage the instrument during storage.
String care
A good habit to adopt is wiping down your strings briefly after each playing session. This small action significantly extends their lifespan and helps maintain a consistent, comfortable feel under your fingers.
Most importantly, clean strings are essential for keeping your instrument in tune. Corrosion, sweat, and dust can affect the uniformity of the strings and interfere with accurate tuning across the entire fingerboard.
Pro tip: If you're having trouble getting your guitar in tune, it might be time to change the strings. A useful test is to compare the pitch of the 12th fret harmonic with the fretted note at the 12th fret; if there's an unusually large gap between them, your strings may have lost their integrity and should be replaced.
Keep Your Shellac Finish Shining!
Got a guitar with a shellac (French polish) finish? Here's a simple trick: Take a clean microfiber cloth and gently breathe on the surface to create a light mist. Then, softly rub to remove fingerprints, sweat, and grease. That’s usually all it takes to keep it looking great, no products needed!
Pro tip: Every few years, treat your guitar to a check-up with a luthier to keep it in top shape.
Storing Your Guitar: Climate Matters
Your guitar can safely stay outside its case, as long as the surrounding environment maintains 42–55% humidity and a temperature between 18–25°C.
Keep in mind that humidity levels can still fluctuate inside the case, especially during seasonal changes.
- Too much humidity may cause overtightened strings and a dull tone.
- Too little humidity can lead to a bulging top, string buzz, or even cracks.
Avoid placing your guitar near radiators, air conditioners, or windows with direct sunlight.
Pro tip: Always close your guitar case while playing. This helps preserve a stable microclimate inside the case, so your instrument is protected the moment you put it back in.
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Frequently Asked Questions About Classical Guitars
How do I choose the right classical guitar for my level?
Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.
What is the difference between a master guitar and a studio guitar?
Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.
Can I try a classical guitar at home for 14 days?
Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.
Can I try a classical guitar before purchasing?
Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.
What payment methods and financing options do you offer?
We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.
How do I properly care for my classical guitar?
A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.