Paul Fischer - 1980 No. 408
Paul Fischer - 1980 No. 408
Overview
Overview
Born on the Isle of Man but brought up in the city of Oxford, it was here that he began his career under the tutelage of the renowned harpsichord maker Robert Goble, making instruments within the finest European tradition. Further study at the Oxford College of Art and Technology completed his training. Paul is rare in having this skill with different instruments but his love of the guitar led him to a chance meeting with the late David Rubio, at Duns Tew, Oxfordshire, a renowned place visited by Julian Bream and John Williams. As chief instrument maker and manager he remained with Rubio for a number of years. Success with his own instruments during this period under the Rubio label and stamped P.F (which can still be seen in use today), led him to establish his own studio in 1975. In 1983 he was awarded a Winston Churchill Travelling Fellowship to extend his research into the forest of Brazil. Paul Fischer has served as an advisor to the crafts Panel for the Southern Arts Association, and also as a Technical Advisor and Panel Member of the Crafts Council of Great Britain. He still dedicates his life to making fine instruments with a panoramic view of the Cotswold Hills from his workbench. As the classical guitar has joined the mainstream in the second half of the 20th century, he has been one of the figures in the vanguard and at the cutting edge of the evolution of the modern concert guitar. His instruments have been featured in many publications including the best seller ‘The Complete Guitarist’ by Richard Chapman (Dorling Kindersley 1993), and ‘The Classical Guitar: A Complete History’ by John Morrish et al (Balafon 1997).
This guitar, crafted by one of the best British guitar makers, stands out as a spectacular instrument with modern acoustic properties for its time. Traditionally built, it features an exceptional evenness on the first string, a quality rarely seen even in contemporary guitars. Its sound has a piano-like timbre, yet it remains brilliant enough to fill any concert hall. This guitar offers comfortable playability and responds quickly to right-hand dynamics. As a pre-loved instrument, it is in remarkable condition, displaying almost no signs of wear, with only some nearly invisible thin scratches. The Brazilian rosewood used for the back and sides is particularly rare and adds to the instrument's value, making it a true jewel among classical guitars. This guitar not only captures the essence of superior craftsmanship but also showcases the rarity of such quality woods today.
| Luthier: | Paul Fischer |
| Construction year: | 1980 |
| Top: | Fichte |
| Back and sides: | Brazilian rosewood (CITES certified) |
| Scale: | 650 mm |
| Nut: | 53 mm |
| Weight: | 1710 grams |
| Air body frequency: | G# |
| Tuners: | Rodgers |
| Strings: | Knobloch EDC 34.0 |
| Case: | Hardshell |
| Condition: | Excellent |
Video overview
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Classical Guitar
The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.Look all products of the collection -
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