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Roy Fankhänel - Torres 2018

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Overview

Roy Fankhänel’s workshop is located in Oelsnitz, Germany, where he builds guitars in the German tradition. He shows a very high level of craftmanship that can be seen in features such as the V-joint, the details of the rosette, the design of the head and the quality of the construction in general. His guitars are powerful instruments with a generous rich sound. They are very easy to play and feature a slightly radiused elevated fingerboard.
This guitar was inspired by the work of Antonio de Torres and follows the idea of a modern interpretation of the traditional Spanish guitar. It is therefore an instrument with a fine colourful tone, very sensible to the stroke and expressing and charming timbre. Nevertheless, some details remind us that this guitar is a contemporary concert instrument that can fill concert halls and some elements as the elevated fingerboard and the waxed neck were built in order to optimise the playability. A first quality bear-claw spruce top was chosen for this instrument and it is astonishing how this new guitar already sounds amazingly clear and brilliant.

Luthier: Roy Fankhänel
Construction year: 2018
Top: Spruce
Back and sides: Indian rosewood
Scale: 650 mm
Nut: 52 mm
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Video overview

Kevin Cahill plays Prelude from Suite Compostelana by F. Mompou on a 2018 Roy Fankhänel - Torres

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    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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