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Sobrinos de Santos Hernandez/Santos Bayon Ruiz – 1970/2024

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Overview

Santos Hernandez Rodriguez crafted his very first guitar under his own name in 1903, in his apartment at Madrid's Plaza de Nicolas Salmerón, historically known as Plaza del Rastro. Dubbed "El Bombon," this guitar was intended for his personal use. Throughout the early 20th century, Santos primarily worked for Manuel Ramirez and, from 1916, for Ramirez's widow. By 1921, he received a license for his own workshop at Calle Aduana 27, although some guitars prior to this date bore the Plaza de Nicolas Salmerón address. Notably, a rosewood guitar dating from as early as 1918 already featured the Aduana label, indicating early ownership of the location. Following a reordering of house numbers in 1932, the address was changed to Aduana 23, which remained the site of Santos's famed guitar workshop.

Following Santos Hernandez's death in 1943, his widow, Matilde Ruiz Lopez, was authorized to continue the guitar-making workshop under the name "Viuda de Santos Hernandez." With no children to inherit the business, the legacy passed to Matilde's niece, Esperanza Ruiz, who was married to luthier Feliciano Bayon de la Morena. Under the banner "Sobrinos de Santos," Feliciano managed the workshop and later mentored his son, Santos Bayon Ruiz, who ran the guitarreria until its closure in 2009. This transition ensured the continuation of the Hernandez legacy in Spanish guitar craftsmanship.

One particular instrument, unfinished for many years within the family, was only completed by Santos Bayon Ruiz in 2024. Composed of exquisite rosewood for the back and sides and topped with high-quality air-dried spruce, this guitar encapsulates the essential characteristics of a traditional Madrid instrument from the early 1970s. Despite being completed decades later, the guitar’s origins in the legendary workshop of Santos Hernandez are undeniable, making it a rare and historically rich piece that bridges multiple generations of master luthiers.

Luthier: Sobrinos de Santos Hernandez
Construction year: 1970/2024
Top: Spruce
Back and sides: Brazilian rosewood
Scale: 650 mm
Nut: 51,5 mm
Weight: 1760 grams
Air body frequency: G#
Tuners: Gotoh
Strings: Knobloch EDC 34.0
Case: Gear4music
Condition: NOS
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Video overview

Sobrinos de Santos Hernandez – 1970 Classical Guitar Review
54 YEARS to Finish THIS Guitar!! Weekly Guitar Meeting #108

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    The classical guitar, with its soft nylon strings and characteristic timbre, has become a symbol of chamber music, Spanish tradition, and concert repertoire. Its modern form was shaped by Antonio de Torres in the 19th century, setting the standard for the body, fan bracing, and the 65-centimeter scale length that are still used today. Instruments in this category open up a rich palette from the refined Romantic miniatures of Tárrega to the majestic concertos of Rodrigo. Here you will find guitars that preserve historical continuity and at the same time inspire new interpretations.
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  • Luthier: Hans-Hermann Herb
    Construction Year: 2003
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: A
    Weight (g): 1445
    Tuner: Rubner
    Condition: Excellent
  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Walnut
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1565
    Tuner: Perona
    Condition: New
  • Construction Year: 2026
    Top: Spruce / Cedar
    Back and Sides: Cypress
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1630
    Tuner: Alessi
    Condition: New
  • Luthier: Kevin Aram
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Oil
    Body Finish: Oil
    Air Body Frequency: G
    Weight (g): 1310
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Vicente Carrillo
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Spruce
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: G sharp / A
    Weight (g): 1670
    Tuner: Aparicio
    Condition: New
  • Luthier: Vicente Carrillo
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: G sharp / A
    Weight (g): 1845
    Tuner: Aparicio
    Condition: New
  • Luthier: Gary Southwell
    Construction Year: 2008
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: D / D sharp
    Weight (g): 1560
    Tuner: Rodgers
    Condition: Very good
  • Luthier: Vicente Carrillo
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Spruce
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: G sharp / A
    Weight (g): 1760
    Tuner: Aparicio
    Condition: New
  • Luthier: Vicente Carrillo
    Construction Year: 2026
    Construction Type: Double-Top Guitars
    Top: Cedar
    Back and Sides: Madagascar rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Air Body Frequency: G sharp / A
    Weight (g): 1680
    Tuner: Aparicio
    Condition: New
  • Luthier: Gary Southwell
    Construction Year: 2024
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: E / F
    Weight (g): 1300
    Tuner: Rodgers
    Condition: Excellent

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