Traditional

The traditional guitar reflects the foundations of European guitar making of the 19th and early 20th centuries. Its body and internal construction create a balance between the warmth of the bass and the clarity of the upper registers. Such instruments preserve the authentic sound of masters Antonio de Torres, Hauser, and García. The traditional guitar is valued for its natural projection and tonal transparency, allowing the music to sound both intimate and expressive.
Traditional
  • Luthier: Tobias Braun
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Satinwood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1555
    Tuner: Rubner
    Condition: New
  • Luthier: Andreas Kirschner
    Construction Year: 2020
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G
    Weight (g): 1490
    Tuner: Klaus Scheller
    Condition: Excellent
  • Luthier: William Alama
    Construction Year: 2025
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G
    Weight (g): 1570
    Tuner: Aparicio
    Condition: Excellent
  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Birdseye Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1385
    Tuner: Schaller
    Condition: New
  • Construction Year: 1992
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: A
    Weight (g): 1535
    Tuner: Fustero
    Condition: Very good
  • Luthier: Vicente Carrillo
    Construction Year: 2026
    Construction Type: Traditional
    Top: Cedar
    Back and Sides: Indian rosewood
    Soundboard Finish: Nitrocellulose
    Body Finish: Nitrocellulose
    Weight (g): 1750
    Tuner: Der Jung
    Condition: Very good
  • Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cherry
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1590
    Tuner: Kris Barnett
    Condition: New
  • Luthier: Joseph Fischer
    Construction Year: 1811
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Maple
    Soundboard Finish: Wax
    Body Finish: French polish
    Air Body Frequency: C sharp / D
    Weight (g): 895
    Tuner: Pegs
    Condition: Very good
  • Luthier: Gary Southwell
    Construction Year: 2005
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Flamed Maple
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G
    Weight (g): 1385
    Tuner: Rodgers
    Condition: Very good
  • Luthier: Gary Southwell
    Construction Year: 2009
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cocobolo
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp
    Weight (g): 1475
    Tuner: Robson
    Condition: Excellent
  • Construction Year: 2002
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp
    Weight (g): 1685
    Tuner: Robson
    Condition: Excellent
  • Luthier: Paul Fischer
    Construction Year: 2005
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Quilted Maple
    Soundboard Finish: Lacquer
    Body Finish: Lacquer
    Air Body Frequency: G / G sharp
    Weight (g): 1460
    Tuner: Rodgers
    Condition: Excellent
  • Construction Year: 2026
    Construction Type: Flamenco
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Pau Ferro
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: G sharp / A
    Weight (g): 1655
    Condition: Excellent
  • Manufacturer: Armin Hanika
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: Wax
    Body Finish: Wax
    Tuner: Rubner El Sonido
    Condition: New
  • Construction Year: 1994
    Construction Type: Flamenco
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Cypress
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1430
    Tuner: Ping Well
    Condition: Very good
  • Luthier: Luca Santambrogio
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1450
    Tuner: Alessi
    Condition: New
  • Luthier: Alessandro Perciaccante
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1550
    Tuner: Kraken
    Condition: New
  • Manufacturer: Armin Hanika
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Ziricote
    Soundboard Finish: French polish
    Body Finish: Uv-cured finish
    Tuner: Alessi
    Condition: New
  • Luthier: Giovanni Tacchi
    Construction Year: 2020
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Indian rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F / F sharp
    Weight (g): 1735
    Tuner: Alessi
    Condition: Excellent
  • Luthier: Hideo Sato
    Construction Year: 2026
    Construction Type: Traditional
    Top: Spruce
    Back and Sides: Madagascar rosewood
    Soundboard Finish: French polish
    Body Finish: French polish
    Air Body Frequency: F sharp / G
    Weight (g): 1575
    Tuner: Pagos
    Condition: New

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Frequently Asked Questions About Classical Guitars

How do I choose the right classical guitar for my level?

Choosing the right classical guitar depends on your playing level, musical goals, and budget. Beginners benefit from studio-model guitars from renowned workshops, while advanced players and professionals often choose a handmade master guitar. We are happy to advise you personally and can send detailed sound samples and videos on request.

What is the difference between a master guitar and a studio guitar?

Master guitars are built entirely by hand in the workshop of a single luthier, using only high-quality, well-aged tonewoods. Studio guitars are made in small series, often under the supervision of the master luthier, and offer excellent value for students and ambitious amateur players.

Can I try a classical guitar at home for 14 days?

Yes — every guitar you purchase from us comes with a 14-day home approval period. This complimentary trial applies worldwide to all orders, whether you are in Germany, Europe, the USA, Asia or anywhere else. We ship your instrument fully insured in a high-quality case so you can play it under your own acoustic conditions. If the guitar is not the right one for you, simply send it back and receive a full refund of the purchase price.

Can I try a classical guitar before purchasing?

Absolutely. You are warmly invited to visit our showroom in Karlsruhe, Germany, and test the instruments at your leisure. We are happy to schedule a personal appointment. If a visit is not possible, we send detailed videos and sound samples, and offer extensive consultation by phone or video call.

What payment methods and financing options do you offer?

We accept bank transfer, PayPal, major credit cards, and Klarna. For high-value instruments, we offer individual installment plans on request. Please contact us directly — we will find a suitable solution for every budget.

How do I properly care for my classical guitar?

A classical guitar requires constant humidity between 45 and 55 percent. Store the instrument in its case with a humidifier, avoid direct sunlight and large temperature fluctuations. Change the strings regularly and clean the guitar with a soft microfiber cloth.

You may also be interested Traditional

A traditionally built classical guitar uses a single solid soundboard supported by fan bracing — the construction Antonio de Torres established in the 19th century and the foundation of the classic Spanish sound. Unlike modern double-top or lattice-braced instruments, which prioritise raw volume and projection, a traditional fan-braced guitar is prized for its tonal warmth, colour, and expressive nuance. This collection brings together instruments built in that time-honoured tradition.

What “Traditional Construction” Means

Traditional classical guitars are defined by three things: a solid one- or two-piece spruce or cedar top (not a laminated sandwich), a fan-bracing pattern beneath that top, and time-tested Spanish building methods such as the integral Spanish heel, where neck and body are joined as one. The seven-fan pattern that Torres standardised remains the reference point, though every luthier refines the number, placement, and taper of the struts to shape their own voice.

The Sound of a Fan-Braced Guitar

Fan bracing distributes string energy across the whole soundboard in a way that favours tonal complexity over sheer loudness. The result is a warm, rounded, deeply coloured voice with clear note separation, a singing sustain, and a wide palette of timbres between the bridge and the fingerboard. Players often describe the traditional sound as more “three-dimensional” and intimate — qualities that suit the core classical repertoire, recording, and chamber settings beautifully.

Because the soundboard responds closely to the player’s right hand, a traditional guitar rewards refined technique: small changes in attack, angle, and position translate directly into colour. This is why so many concert artists and serious students continue to prefer fan-braced instruments for their expressive depth.

Traditional vs. Double-Top and Lattice

There is no “better” construction — only different goals. Modern double-top and lattice guitars typically deliver more volume and projection, ideal for large halls and contemporary music. Traditional fan-braced guitars offer greater tonal colour, warmth, and that unmistakable classic character, with a touch sensitivity many players find more musical. The right choice depends on your repertoire, the rooms you play in, and the voice you’re looking for — and we’re happy to help you compare.

Masters of the Traditional School

The traditional lineage runs from Torres through the great 20th-century builders to today’s finest makers. At Siccas Guitars you’ll find instruments from masters working firmly in this tradition — including Hermann Hauser I, Daniel Friederich, and José Ramírez — alongside contemporary luthiers and high-quality studio guitars built the traditional way.

Find Your Traditional Classical Guitar at Siccas Guitars

Whether you’re drawn to the warm clarity of a spruce top or the immediate warmth of cedar, a traditionally built guitar offers a timeless, expressive voice. Explore this collection, compare it with the rest of our classical guitars, and reach out for personal advice. Every instrument is hand-selected, rigorously checked, and comes with a 14-day home trial, worldwide.